Planting the Seeds of Art: Heather DeAtley’s Response to the Israeli Opera’s Dido and Aeneas 

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Everything about this production was thoughtfully designed and executed by Poda. 

A true Renaissance man. Accompanied by my 6 year old daughter, I felt so fortunate that this was her introduction to the magic realm of opera. I was charmed by her questions throughout the piece, especially “Ima, when will they stop singing?!” Poda made this ancient world of Carthage, shipwrecks, Gods and witches so sumptuous, the aesthetics alone could hold the attention of a young art lover. Read more