Thoughts on Gal Gorfung’s ‘Fusion’ by Ori Lenkinski

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If nothing else, Fusion proved that Gorfung’s prognosis is the last in a long list of things that make him special.Read more

עדן קרמר מגיבה ל׳קרשנדו זָהָב׳ מאת אנאבל דביר

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The word I take with me from Crescendo Gold, Annabelle Dvir’s work that I saw at Habait Theater, is: power. If I had to summarize the performance in one sentence, I’d describe it as a ritual of a tribe of warrior women, wolves, demons, witches.Read more

תגובתה של עדן קרמר ל׳נופים של זהב׳ מאת שרון פרידמן

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This is a dance performance for children that is exactly what it should be: simple, beautiful, and intelligent. It is a show that treats children as the intelligent beings they are, and does not compromise on high standards of movement and material.Read more

עכשיו עכשיו! דווקא עכשיו! במיוחד עכשיו! – רשמים של ג’ני בירגר בעקבות צפייה ב”אהבה מוסיקה (עכשיו!)” מאת להקת יסמין גודר ודקלה

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It’s hot and humid, stifling in every sense, and it feels that especially now Yasmeen Godder and Dikla’s audacious creation brings us back to that primal connection of dance, singing and playing music..Read more

אלה גרינבום מגיבה ל׳קול אדם׳ מאת רמי באר ללהקה הקיבוצית

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Rami Be’er created, from within what is happening to him and to us, a beautiful piece of art that dances this very hardship, so much so that it was hard to enjoy.Read more