The word-filled weapons drawn at dancers from choreographers (and parents, educators, etc.) can leave lasting scars, and Oz’s work seems to offer us with a much needed antidote of self-realization, feminine power and prowess. A dancer would likely find Oz’s work therapeutic as she reclaims the space and fires back, also granting Licht that same opportunity, even though she is the ‘dancer’. Read more
Throughout my childhood, the other version of this conversation happened countless times in our household, following some incident at school that either myself or my sister had gone through. Our parents told us what so many parents tell their daughters. Someone hit you, pushed you, called you a name, dumped your desk, whatever, because they wanted to get your attention. Because they like you.Read more
Since joining forces, Dagan and Marin have racked up an impressive list of engagements, ranging from performance invitations in Israel and abroad to commissions to being appointed co-Artistic Directors of the Intimadance Festival at Tmuna Theater. They are an example of friendship, true collaboration and a different, kinder, more devout and conscientious possibility for leadership in the dance world.Read more