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  • Day: August 2, 2026
What are the rules you live by? Who taught them t What are the rules you live by?

Who taught them to you?

And which ones have you never stopped to question?

In her latest Re:View, Jenny Birger reflects on 'Workout Manual' by Aharona Israel, a performance that opens up questions about movement and education, authority and ideology, and the invisible manuals that shape the way we move through the world.

Read the full piece on Creative Writing.

๐Ÿ”— Link in bio.

#CreativeWriting #ReView #DanceWriting #ContemporaryDance #PerformanceWriting #AharonaIsrael #WorkoutManual
In her beautiful reflection on Wonder by Gil Kerer In her beautiful reflection on Wonder by Gil Kerer, Heather DeAtley draws a surprising connection between the performance and the Ilan Lev Method, asking what happens when movement becomes an invitation to curiosity rather than instruction.

"Wonder is as much a mindset as it is a moment."

Read Heather's full review now on Creative Writing (link in bio).

๐Ÿ“ธ Asya Skorik

#CreativeWriting #DanceWriting #Wonder #GilKerer #suzannedellalcentre #ChildrensDance #PerformanceWriting #ContemporaryDance #DanceForYoungAudiences #Play #Curiosity #KidsCorner #KidsSummerFestival
Spotlight #2- Matan Preminger ๐Ÿ”ฆ If you've seen a Spotlight #2- Matan Preminger ๐Ÿ”ฆ

If you've seen a performance at Tmuna Theater over the past decade, there's a good chance you've experienced his work.

A lighting designer, technician and performer, Matan has spent years illuminating stages. In this edition of Spotlight, we spoke about finding a creative home at Tmuna, turning backstage into performance, what good lighting can do for a piece and why the moments before the audience walks in are sometimes more dramatic than the show itself.

Read the full interview at the link in our bio.

#Spotlight #CreativeWriting #LightingDesign #Theater #Dance #Performance #Tmuna
Like strawberry ice cream on a summer day. ๐Ÿ“๐Ÿฆ In Like strawberry ice cream on a summer day. ๐Ÿ“๐Ÿฆ

In the latest edition of Kids' Corner, Eden Kramer writes about Etai's Castle by Rachel Erdos.

Rather than offering fantasy worlds or fairy tales, 'Etai's Castle' gives shape to the everyday emotional landscape of childhood: frustration, curiosity, imagination, fear, family, and the feeling that sometimes you're simply... too much.

Read Eden's full review (in Hebrew and English) now on Creative Writing.
๐Ÿ”— Link in bio.

#CreativeWriting #KidsCorner #DanceReview #DanceForChildren #ContemporaryDance #DanceWriting #PerformanceForChildren #IsraeliDance #RachelErdos
Directorโ€™s POV. Weโ€™re still dreaming about last Sa Directorโ€™s POV.
Weโ€™re still dreaming about last Saturday shooting Creative Talking.
What happens when paintings and poems engage in co What happens when paintings and poems engage in conversation?

In the exhibition 'And Love, What Will Become of It?' at Rothschild Fine Art Gallery, painter David Nipo and poet Adina Nipo invite us into a shared world where image and language move side by side. Rather than explaining one another, the works create a dialogue, opening space for memory, intimacy, longing and the many forms love can take.

In her response for Creative Writing, Jenny Birger reflects on this encounter between visual art and poetry, asking what happens when we don't simply look at an artwork or read a poem, but allow them to speak to each other.

Read the full piece (in Hebrew and English) via the link in our bio.

#CreativeWriting #ArtWriting #Poetry #VisualArt #DavidNipo #AdinaNipo #ContemporaryArt #WritingOnArt #RothschildFineArtGallery
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ื‘”ื˜ืขืžื™ื”, ื”ื›ื•ืจื™ืื•ื’ืจืคื™ืช ืื™ืœื ื” ื‘ืœืกืŸ ืžื–ืžื™ื ื” ืื•ืชื ื• ืœืฉื”ื•ืช ืื™ืชื” ื‘ืชื•ืš ืงืจืข ื‘ื–ืžืŸ

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Bellahsen presented a female body that refused easy access: it concealed itself beneath shrouds, hid behind dark sunglasses, disappeared beneath grey bodysuits and repeatedly obscured itself with black and white liquids. This was a body that chose to make itself visible while resisting complete legibility. Read more

ื”ืชืจืฉืžื•ืช ืฉืœ ื™ื•ืœื™ื” ืคืจื™ื™ื“ื™ืŸ ืžืณื”ื•ืžืกื™ืงืณ ืžืืช ืื™ืจื™ืก ืืจื–

post image

*English follows *Photos by Asya Skorik ืฉื™ืฉื™ ื‘ืฆื”ืจื™ื™ื, ืฉืขื” 14:00. ื ื›ื ืกื™ื ืœืื•ืœื ืฉืœ ืชื™ืื˜ืจื•ืŸ ืขื ื‘ืœ. ื”ืื•ืœื ืžืœื ืขื“ ืืคืก ืžืงื•ื. ืขืœ ื”ื‘ืžื” ืคืจื•ืฉ ืงืจื˜ื•ืŸ ื’ื“ื•ืœ, ืฉื”ื•ืคืš ื‘ื”ื“ืจื’ื” ืœืžืฆืข ื”ืžืจื›ื–ื™ ืฉืœ ื”ืขื‘ื•ื“ื”. ื‘ื”ืชื—ืœื” ื”ื•ื ื ืจืื” ื›ืžื• ืื“ืžื” ื™ืฆื™ื‘ื”, ืื‘ืœ ื›ื›ืœ ืฉื”ืžื•ืคืข ืžืชืงื“ื ื”ื•ื ืžืชื—ื™ืœ ืœื–ื•ื–, ืœื”ื™ืงืจืข, ืœื”ืฉืชื ื•ืช ื•ืœื”ืคื•ืš ืœืžืจื—ื‘ ื—ื™ ืฉื ืจืฉืžื™ื ืขืœื™ื• ืกื™ืžื ื™ ื”ื’ื•ืฃ. ื™ืฉ ืชื ื•ืขื”Read more

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