ืืคื ื ื ืืืืช ืืคืจืคืืจืืืืืืืช ืืืืื ืฉืื.
ืืืฆืืจื ืืืงืืจืชืืช, ืืฆืืืงื ืืื ืขืฆืืื
ืืืืืชื ืืืื ืืฆืืื ืงืื ืคืืืงืืื ืืฆืืจื ืืืืืื
ืืฆืืืื ืืืืื ืืช ืื ืงืฉืช ืืืขืืช ืืจืืฉืืช ืืืืฉืืืช ืืืืืคืื ืฉืืกืชืืืืื ืื ื ืืืืื ืขืฆืื ื ืืจืืฉ ืืื ืืคืกืงื.Read more
The groupings display distinct character and energy: the pair of youths mix gentle exploration of discovering themselves and each other with moments of playfulness; the young adults form a powerful, energetic female trio; the middle-aged pair are so sure in their technique they can be quirky; and the elder dancer is careful and precise. Zuk is a keen observer, and in Destinies she successfully brings qualities of movement symbolic of stages of life, as dancers and simply as human beings.ย Read more
*ืฆืืืื ืืืืื ืืืคืงืื ืฉืกืืฆืงื ืชืืื ืืฉืื ื ืืืืืช ืืืืคืขื ืขื ืื ืืืื, ืื ื ืื ืืืืขืช ืื ืื ืื ื ื ืืืข ืืืื, ืื ืฉืืฆืืฅ ืืืื ืืฉืืจ ืงืืืื ืฉืงืฉืืจ ืืืืืื ืื ืฉืืขืจ. ืื ืืืื ืืงืจืืกืืก ื ืคืชืจ ืืืงืื ืืืฆืคืื, ืืืืขื ื ืืืฉ ืขื ืืืงื ืืืืคืขื ืฉื ืกืืคืื ืงืจืื ืฅ ืณืืื ืืื ืขื ืืณ ืืืจืื ืืืืืจื ืืขืืชืื. ื ืื ืกื ื ืืืื ืฉืื ืืืืื ืืช ืืคืืจืื ืืจืฆืคืช ืืืื ืืคืืจื. ืขืRead more
