To Shush or Not to Shush? The Nutcracker Question by Ori Lenkinski

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The casual, come-as-you-are approach may pry open elitist doors for audiences who would otherwise find the ballet too stuffy, but I wonder about the cost. When you can buy popcorn or cotton candy at intermission, does everything become one big circus? Have we excused ourselves from dressing up and behaving politely because it is easier not to? Just because it is hard for children to sit quietly through a show, does that mean they should not be required to? And when we let ourselves off these hooks, do we miss out on the magic of the experience or ruin it for others?Read more

讘砖讘讞 讛砖讗诇讜转: 专砖诪讬诐 砖诇 讙’谞讬 讘讬专讙专 注诇 ‘讚讘专讬诐 专讗砖讜谞讬诐’ 诪讗转 诪讬讻讗诇 讙讟诪谉

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First Things by Michael Getman, performed with virtuosity by Ariel Gelbart, is a fascinating, deep, and multi-layered work. Fragments of textual and musical information meet a distilled choreography, and together they ask the most fundamental question: what is the human experience?Read more