a dance piece ืืืืคืขื ืฉื ืืืจื ืื ืืชืืืื ืขื ืืื ืืจื ืืจืืืื ืืืื ืืชืงืืคื: “ืืืงืจื ืฉื ืืืขืงื, ื ืื ืืืจืื ืืืื”.ย ืืืขืชื ืฉืฆืคืืืืช ืืืืืช ืฉืชื ืืืคืขืืช, ืืงืืืืืชื ืฉื ืชืืื ืืืืืคืขื ืฉื ืืืจื.ย ืืืจื ืืืงืืช ื ืฉืืื ืขืืืงื, ืืืชืืืื ืืืจืื ืืืืื ืืคืืจืกืช ืืืชื ืืฆืืืื, ืืื ืืืฆืขืช ืคืืชืื ืขื ืืืืฃ.ย ืืจื ืชื ืืขืืช ืืืคื ืืืจื ืืืืื ื ืืืื ืืช ืืืืืืืช ืืงืืืืืช ืฉื ืืืืืRead more
My eyes delight in the soft rawness of a piece shown in its home, without the wrapping of a large, sophisticated production. The scarcity of means allows other qualities to surface and to touch the audience in a more intimate and direct way. โExposed in the Studioโ is a wonderful example of an evening featuring two very different works that speak to one another and connect beautifully: โAssembly Instructionsโ by Nir Vidan, and โThe Silence of the Sirensโ by Tamar Sofia Kisch.
Itโs an intriguing, rich evening that operates on all senses and reveals a broad range of contemporary dance creation through two solos, choreographed and performed by the artists themselves.Read more
