讘讜讗讬: 讗讜专讬讬谉 诪讬讻讗诇讬 讛讜驻讻转 讗转 讻讬砖诇讜谞讛 砖诇 砖讜转驻讜转 讗讜诪谞讜转讬转 讬砖专讗诇讬转志驻诇住讟讬谞讬转 诇讬爪讬专转 诪讞讜诇 诪讟诇讟诇转 – 诪讗转 讙’讜讬 讘专谞专讚

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An original, piercing, intelligent work of dance theatre.Read more

讛转专砖诪讜转 砖诇 讬讜诇讬讛 驻专讬讬讚讬谉 诪讛诪讜驻注 ‘砖拽讟 讘拽讜驻住讗 (砖讞讜专讛)’ 诪讗转 讗讬住拽 爪’讜拽专讜谉 讜砖讞专 讞谞讬谉

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The entire performance feels like an ongoing investigation, almost childlike in its curiosity.Read more

讘”讟注诪讬诐”, 讛讻讜专讬讗讜讙专驻讬转 讗讬诇谞讛 讘诇住谉 诪讝诪讬谞讛 讗讜转谞讜 诇砖讛讜转 讗讬转讛 讘转讜讱 拽专注 讘讝诪谉

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Bellahsen presented a female body that refused easy access: it concealed itself beneath shrouds, hid behind dark sunglasses, disappeared beneath grey bodysuits and repeatedly obscured itself with black and white liquids. This was a body that chose to make itself visible while resisting complete legibility. Read more

讛转专砖诪讜转 砖诇 讬讜诇讬讛 驻专讬讬讚讬谉 诪壮讛讜诪住讬拽壮 诪讗转 讗讬专讬住 讗专讝

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*English follows *Photos by Asya Skorik 砖讬砖讬 讘爪讛专讬讬诐, 砖注讛 14:00. 谞讻谞住讬诐 诇讗讜诇诐 砖诇 转讬讗讟专讜谉 注谞讘诇. 讛讗讜诇诐 诪诇讗 注讚 讗驻住 诪拽讜诐. 注诇 讛讘诪讛 驻专讜砖 拽专讟讜谉 讙讚讜诇, 砖讛讜驻讱 讘讛讚专讙讛 诇诪爪注 讛诪专讻讝讬 砖诇 讛注讘讜讚讛. 讘讛转讞诇讛 讛讜讗 谞专讗讛 讻诪讜 讗讚诪讛 讬爪讬讘讛, 讗讘诇 讻讻诇 砖讛诪讜驻注 诪转拽讚诐 讛讜讗 诪转讞讬诇 诇讝讜讝, 诇讛讬拽专注, 诇讛砖转谞讜转 讜诇讛驻讜讱 诇诪专讞讘 讞讬 砖谞专砖诪讬诐 注诇讬讜 住讬诪谞讬 讛讙讜祝. 讬砖 转谞讜注讛Read more

诪讞讜讝讜转 讛讻诪注讟: 诪讞砖讘讜转 砖诇 讙壮谞讬 讘讬专讙专 讘注拽讘讜转 讛爪驻讬讬讛 讘’讛诪转诇诪讚转’ 砖诇 专讜注讬 讗住祝

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It holds a genuine surprise, one that is powerful, celebratory, and left me exhilarated for hours afterward.Read more

Eden Kramer’s Response to PATROL by Eyal Dadon Dance Company

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PATROL creates a fantastical world, superhuman, deeply physical, mysterious, and breathtakingly beautiful.Read more

诇拽专讜讗 讗转 住驻专 讛讞讜拽讬诐 诪讗转 讙壮谞讬 讘讬专讙专

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The work opens questions about the relationship between movement and education, education and ideology.Read more

Yulia Frydin’s Reflections on ‘speech-less’ by Sharon Valevski

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The performance presents the desire to be the chosen one of the public. Each and every one has a set time on stage during which they must convince us to choose them. They use every means at their disposal: virtuoso technique, unique movement, an individual personal story meant to stir our compassion and empathy. When necessary, they stand on a tall pedestal so that we can see and hear them better.

They want us to follow them. Their movement hypnotizes us into becoming captivated by them.Read more

专砖诪讬诐 诪壮讙讜驻讗谞讬壮 诪讗专讞 诪讗转 诇讬讝讛 驻讜讟专诪谉

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诇讗讞专讜谞讛 谞讞砖驻转讬 诇诪讗诪专 砖诇 讚”专 讙讬诇讬 讛诪专 诪讛讗讜谞讬讘专住讬讟讛 讛注讘专讬转 注诇 讗讜讟讜驻讬讛 讘砖讚讛 讛诪讞讜诇 讛诪砖讜诇讘. 讛诪讗诪专 谞讻转讘 讜讛转驻专住诐 讘讝诪谉 讛诪诇讞诪讛, 讝诪谉 诪讜讝专 诇讚讘专 讘讜 注诇 讗讜讟讜驻讬讛, 讜讗讜诇讬 讛讝诪谉 讛讻讬 诪转讗讬诐 诇讚诪讬讬谉 讘讜 砖讬谞讜讬 砖讜专砖讬 讘诪注专讻讜转 讛讗谞讜砖讬讜转 砖讬讗驻砖专 诇讛诪讬专 讗转 讛讚讬住讟讜驻讬讛 讛拽讬讜诪讬转 讘讗诇讟专谞讟讬讘讛 讘专转 拽讬讬诪讗.聽 讻讝讜 讛讬讗 讛讗诇讟专谞讟讬讘讛 砖谞讻讞转讬 诇讞讝讜转 讘讛 讘注专讘聽 “讙讜驻讗谞讬”: 注专讘 讬爪讬专讛 诇专拽讚谞讬诐 注诐Read more

诪讞砖讘讜转 砖诇 诇讬讝讛 驻讜讟专诪谉 注诇 壮讗诇-讗讟诇讗诇壮 诪讗转 讗讜专诇讬 驻讜专讟诇

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讘砖讘讞讬 讗诪谞讜讬讜转 讛讘诪讛 讜讻讜讞讜 砖诇 诪讘讟 诇讞讜诇诇 砖讬谞讜讬:   “讻诇 讛注讜诇诐 讘诪讛, 讜讻诇 讛讙讘专讬诐 讜讛谞砖讬诐 专拽 砖讞拽谞讬诐.” (讜讬诇讬讗诐 砖讬讬拽住驻讬专, “讻讟讜讘 讘注讬谞讬讻诐”)   讘专讗砖讬转: 诪讛 拽讜专讛 讻砖讬爪讬专讛 谞讜诇讚转 诪转讜讱 讛砖讘专?   讬砖 诪专讗讜转 讜讚讬诪讜讬讬诐 砖讘注爪诐 讛讞砖讬驻讛 讗诇讬讛诐 诪讝讻讬专讛 诪砖讛讜 讬砖谉 谞讜砖谉, 诪砖讛讜 注诐 谞讬讞讜讞 谞讜住讟诇讙讬, 诪砖讛讜 诇讗 诪讻讗谉.   注讘讜专讬 讛讬爪讬专讛 砖诇 驻讜专讟诇 诇讜拽讞转 讗讜转讬 讗讞讜专谞讬转Read more