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🔦 SPOTLIGHT #4: EFRAT MAZOR What does the camera 🔦 SPOTLIGHT #4: EFRAT MAZOR

What does the camera reveal that the eye cannot see?

For more than a decade, Efrat Mazor has been documenting Israeli dance, capturing fleeting moments and building an extraordinary visual archive of the field.

A former dancer herself, Efrat approaches photography with an embodied understanding of movement, an openness to the unexpected, and a deep sense of responsibility toward the artists whose work she documents.

For Spotlight #4, we spoke with Efrat about the art of looking, learning to trust her intuition, and what happens when photographing a performance becomes an immersive experience of its own.

Read the full interview in English and Hebrew at creativewriting.me. 

Link in bio.

📸 Efrat Mazor
What an amazing morning at @indnegev with @shiwabi What an amazing morning at @indnegev with @shiwabiwa , @carmen_elmakiyes_amos , @orilenkinski and @albi__world ! 

Inspired by philosopher Emmanuel Levinas’s concept of The Other, we came together to talk, write and reflect on encounters with others, responsibility and the ways we relate to one another.

A music festival feels like the perfect setting for this kind of conversation. A chance to step outside our everyday routines, encounter different perspectives and open ourselves to new ways of thinking.

It was especially moving to hear people from the audience share their own writing, adding their voices and experiences to the conversation.

Thank you to everyone who joined us and to Albi and InDNegev for the collaboration.
איך אנחנו מזהים את האחר דרך הגוף, עוד לפני שמילים איך אנחנו מזהים את האחר דרך הגוף, עוד לפני שמילים נכנסות לתמונה?

ב״מפגש בין-גופי״, שירה שודרון (שיווה ביווה) כותבת על תנועה, תפיסה ועל האופן שבו הגוף מאפשר לנו לחוות ולהבין את האחר מעבר לשפה ולדיבור.

הטקסט נכתב במסגרת שיתוף הפעולה של Creative Writing ואלבי בפסטיבל inDnegev, בהשראת תפיסת ״האחר״ של הפילוסוף עמנואל לוינס.

לקריאת הטקסט המלא ולצפיה ביצירת אנימציה Transan-dance של שירה, לינק בביו.
מה קורה במפגש עם האחר, עוד לפני שאנחנו מנסים להבין מה קורה במפגש עם האחר, עוד לפני שאנחנו מנסים להבין אותו?

ב״לִפְנֵי הַהֲבָנָה״, כרמן אלמקייס עמוס כותבת על אחרות, זיכרון, אחריות ועל מה שנשאר איתנו ממפגשים אנושיים.

הטקסט נכתב במסגרת שיתוף הפעולה של Creative Writing ואלבי בפסטיבל inDnegev, בהשראת תפיסת ״האחר״ של הפילוסוף עמנואל לוינס.

מחר, יום שישי 16.10 בשעה 10:00, כרמן תקריא את הטקסט במפגש כתיבה בהנחיית אורי לנקינסקי, לצד שירה שוורדוב (שיווה ביווה).

מוזמנים להצטרף, להקשיב ולכתוב איתנו.

לקריאת הטקסט המלא: לינק בביו.
אנחנו ⁧יורדים דרומה! ⁧ אנחנו שמחים לשתף פעולה עם אנחנו ⁧יורדים דרומה! 

⁧ אנחנו שמחים לשתף פעולה עם אלבי בפסטיבל אינדינגב! 
⁧בהשראת תפיסת ״האחר״ של הפילוסוף עמנואל לוינס, נחקור דרך כתיבה שאלות של אחרות, אחריות ומפגש.⁩

⁧הצטרפו אלינו ביום שישי, 16.10, בשעה 10:00 למפגש כתיבה עם אורי לנקינסקי והאומניות המשתתפות כרמן אלמקייס-עמוס ושירה שוודרון (שיווה ביווה).⁩

⁧לאורך הפסטיבל תוכלו גם אתם להוסיף את המחשבות שלכם לאוסף של קולות ונקודות מבט.⁩

⁧בואו לכתוב איתנו!⁩

⁦Creative Writing is going south! ☀️⁩

⁦We’re delighted to join forces with Albi at this year’s InDNegev Festival!⁩

⁦Inspired by Emmanuel Levinas’s philosophy of The Other, we’ll explore questions of otherness, perspective and encounter through writing.⁩

⁦Join us Friday, October 16, at 10:00 AM for a writing session with Ori Lenkinski and participating artists Carmen Elmakiyes-Amos and Shira Shvadron (Shiva Biva).⁩

⁦Throughout the festival, you’ll also be invited to add your own reflections to a collection of voices and perspectives.⁩

⁦Come write with us!⁩
An Even (Green) Playing Field What happens when y An Even (Green) Playing Field

What happens when youth and age meet on equal footing?

In 'Metamorphosis', Yossi Berg and Oded Graf bring two generations of performers together on a green playing field, challenging familiar assumptions about youth, aging, and transformation.

Ori Lenkinski reflects on the encounter, the specter of catastrophe, and what it means to grow older without necessarily growing lesser.

Read the full text at the link in our bio.

Photography by Efrat Mazor.

על מגרש (ירוק) שווה

מה קורה כשנעורים וזקנה נפגשים כשווים?
ביצירה 'מטמורפוזה', יוסי ברג ועודד גרף מפגישים בין שני דורות של רקדנים על מגרש משחקים ירוק, ומאתגרים תפיסות מוכרות על נעורים, הזדקנות ושינוי.

אורי לנקינסקי מהרהרת במפגש, בצל האסון המרחף מעליו, ובמשמעות של להתבגר מבלי בהכרח להפוך לפחות.

לקריאת הטקסט המלא באתר Creative Writing. לינק בביו.

צילום: אפרת מזור
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Auditions on Facebook- An Uncomfortable Trend

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Choreographers have always filmed auditions. Until recently, it was clear that this recordings were to be used for later reference and were private.

However, I have noticed that more and more choreographers are affording themselves the luxury of publishing audition videos online.Read more

ABANDONING “BEAUTY”: A Conversation with Roni Chadash

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In the past, I need the audience’s approval and affirmation more. There is a balance between pleasing myself and pleasing the audience and it has changed from process to process. I’m trying to learn how to fulfill my own desires and I believe that if I’m able to free myself to satisfy myself, it will also satisfy the audience.Read more

How I Went From Dancer to Tour Guide in One Creation by Ori Lenkinski

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On March 6, when The Suit took part of the Women Festival at the Holon Theater, I finished two performances, checked the box in my mind that I had completed the engagement and looked onwards to a month and a season full of shows and tours. Little did I, or anyone else, know that it would be my last meeting with an audience for a long while. So when I walked down the stairs of the Alliance House on September 9, onto the site-specific “stage” that would be the stomping ground for Meet Me in the Market, a performative tour of Jerusalem’s Mahane Yehuda Market inspired by Jackie Kennedy, the impact was amplified exponentially.Read more

How we misuse the words “I feel bad” and the dangers of good manners by Ori Lenkinski

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When I think about the many times in which I have said, “I felt bad so I…” I realize that we program girls and women to use these words in the exactly wrong way. We should never do anything because we “feel bad.” If you feel bad it means something off is happening. It means someone is asking you to do something that makes you uncomfortable. Instead of going along with it because you feel bad, a red flag should go blazing into our consciousness. “I feel bad” or “I feel uncomfortable” should be a clear sign to cut and run or, at least, to proceed with extreme caution.Read more

Acts of Agency by Ori Lenkinski

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The moments in my life in which I have made the best choices have been the ones in which some inner force pushed me, obliged me to take full use of my agency. Dropping out of college was one but there were others. Leaving a volatile relationship, moving cities, quitting endless bad jobs, those moments in which I felt uncomfortable enough to stop doing something and get up and walk away. It isn’t that I condone quitting but I do support knowing when something isn’t right and listening to that voice.Read more

Pursuing Freedom- Finding the Art in Martial Art

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It seems that in her path to healing, Blikman has not only found a way to mend the factions caused by her own trauma but to bring together two worlds, martial and performance art. “We say ‘martial art’ but in it there is art. Here, I really want to connect these two words. I want to find that connection, that freedom that art can bring to martial arts.”Read more

Dancing for the Damaged by Ana Harmon

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The word-filled weapons drawn at dancers from choreographers (and parents, educators, etc.) can leave lasting scars, and Oz’s work seems to offer us with a much needed antidote of self-realization, feminine power and prowess. A dancer would likely find Oz’s work therapeutic as she reclaims the space and fires back, also granting Licht that same opportunity, even though she is the ‘dancer’. Read more

It’s Because He Likes You: The Hidden Messages of Childhood

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Throughout my childhood, the other version of this conversation happened countless times in our household, following some incident at school that either myself or my sister had gone through. Our parents told us what so many parents tell their daughters. Someone hit you, pushed you, called you a name, dumped your desk, whatever, because they wanted to get your attention. Because they like you.Read more

The New Guard

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Since joining forces, Dagan and Marin have racked up an impressive list of engagements, ranging from performance invitations in Israel and abroad to commissions to being appointed co-Artistic Directors of the Intimadance Festival at Tmuna Theater. They are an example of friendship, true collaboration and a different, kinder, more devout and conscientious possibility for leadership in the dance world.Read more

The Point of Parenting by Ori Lenkinski

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I know the evolutionary, genealogical point of having kids. They succeed us, pass on our genes into a future we will not be present for. They are a creation. They ensure the survival of the human species. All that is true. But what is the point for us, without thinking of anyone else? What do we gain or hope to gain from it?Read more

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