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🔦 SPOTLIGHT #4: EFRAT MAZOR What does the camera 🔦 SPOTLIGHT #4: EFRAT MAZOR

What does the camera reveal that the eye cannot see?

For more than a decade, Efrat Mazor has been documenting Israeli dance, capturing fleeting moments and building an extraordinary visual archive of the field.

A former dancer herself, Efrat approaches photography with an embodied understanding of movement, an openness to the unexpected, and a deep sense of responsibility toward the artists whose work she documents.

For Spotlight #4, we spoke with Efrat about the art of looking, learning to trust her intuition, and what happens when photographing a performance becomes an immersive experience of its own.

Read the full interview in English and Hebrew at creativewriting.me. 

Link in bio.

📸 Efrat Mazor
What an amazing morning at @indnegev with @shiwabi What an amazing morning at @indnegev with @shiwabiwa , @carmen_elmakiyes_amos , @orilenkinski and @albi__world ! 

Inspired by philosopher Emmanuel Levinas’s concept of The Other, we came together to talk, write and reflect on encounters with others, responsibility and the ways we relate to one another.

A music festival feels like the perfect setting for this kind of conversation. A chance to step outside our everyday routines, encounter different perspectives and open ourselves to new ways of thinking.

It was especially moving to hear people from the audience share their own writing, adding their voices and experiences to the conversation.

Thank you to everyone who joined us and to Albi and InDNegev for the collaboration.
איך אנחנו מזהים את האחר דרך הגוף, עוד לפני שמילים איך אנחנו מזהים את האחר דרך הגוף, עוד לפני שמילים נכנסות לתמונה?

ב״מפגש בין-גופי״, שירה שודרון (שיווה ביווה) כותבת על תנועה, תפיסה ועל האופן שבו הגוף מאפשר לנו לחוות ולהבין את האחר מעבר לשפה ולדיבור.

הטקסט נכתב במסגרת שיתוף הפעולה של Creative Writing ואלבי בפסטיבל inDnegev, בהשראת תפיסת ״האחר״ של הפילוסוף עמנואל לוינס.

לקריאת הטקסט המלא ולצפיה ביצירת אנימציה Transan-dance של שירה, לינק בביו.
מה קורה במפגש עם האחר, עוד לפני שאנחנו מנסים להבין מה קורה במפגש עם האחר, עוד לפני שאנחנו מנסים להבין אותו?

ב״לִפְנֵי הַהֲבָנָה״, כרמן אלמקייס עמוס כותבת על אחרות, זיכרון, אחריות ועל מה שנשאר איתנו ממפגשים אנושיים.

הטקסט נכתב במסגרת שיתוף הפעולה של Creative Writing ואלבי בפסטיבל inDnegev, בהשראת תפיסת ״האחר״ של הפילוסוף עמנואל לוינס.

מחר, יום שישי 16.10 בשעה 10:00, כרמן תקריא את הטקסט במפגש כתיבה בהנחיית אורי לנקינסקי, לצד שירה שוורדוב (שיווה ביווה).

מוזמנים להצטרף, להקשיב ולכתוב איתנו.

לקריאת הטקסט המלא: לינק בביו.
אנחנו ⁧יורדים דרומה! ⁧ אנחנו שמחים לשתף פעולה עם אנחנו ⁧יורדים דרומה! 

⁧ אנחנו שמחים לשתף פעולה עם אלבי בפסטיבל אינדינגב! 
⁧בהשראת תפיסת ״האחר״ של הפילוסוף עמנואל לוינס, נחקור דרך כתיבה שאלות של אחרות, אחריות ומפגש.⁩

⁧הצטרפו אלינו ביום שישי, 16.10, בשעה 10:00 למפגש כתיבה עם אורי לנקינסקי והאומניות המשתתפות כרמן אלמקייס-עמוס ושירה שוודרון (שיווה ביווה).⁩

⁧לאורך הפסטיבל תוכלו גם אתם להוסיף את המחשבות שלכם לאוסף של קולות ונקודות מבט.⁩

⁧בואו לכתוב איתנו!⁩

⁦Creative Writing is going south! ☀️⁩

⁦We’re delighted to join forces with Albi at this year’s InDNegev Festival!⁩

⁦Inspired by Emmanuel Levinas’s philosophy of The Other, we’ll explore questions of otherness, perspective and encounter through writing.⁩

⁦Join us Friday, October 16, at 10:00 AM for a writing session with Ori Lenkinski and participating artists Carmen Elmakiyes-Amos and Shira Shvadron (Shiva Biva).⁩

⁦Throughout the festival, you’ll also be invited to add your own reflections to a collection of voices and perspectives.⁩

⁦Come write with us!⁩
An Even (Green) Playing Field What happens when y An Even (Green) Playing Field

What happens when youth and age meet on equal footing?

In 'Metamorphosis', Yossi Berg and Oded Graf bring two generations of performers together on a green playing field, challenging familiar assumptions about youth, aging, and transformation.

Ori Lenkinski reflects on the encounter, the specter of catastrophe, and what it means to grow older without necessarily growing lesser.

Read the full text at the link in our bio.

Photography by Efrat Mazor.

על מגרש (ירוק) שווה

מה קורה כשנעורים וזקנה נפגשים כשווים?
ביצירה 'מטמורפוזה', יוסי ברג ועודד גרף מפגישים בין שני דורות של רקדנים על מגרש משחקים ירוק, ומאתגרים תפיסות מוכרות על נעורים, הזדקנות ושינוי.

אורי לנקינסקי מהרהרת במפגש, בצל האסון המרחף מעליו, ובמשמעות של להתבגר מבלי בהכרח להפוך לפחות.

לקריאת הטקסט המלא באתר Creative Writing. לינק בביו.

צילום: אפרת מזור
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We Regret to Inform You That You Have Been Canceled

We have been debating extensively whether or not independent artists
should be punished/sanctioned for their country’s politics without being
able to reach a clear conclusion on the matter. Be that as it may, we
feel the atrocities committed in Palestine have not been sufficiently
sanctioned neither by the state of Norway or on the world stage, and
feel we need to take action. We feel it necessary to break all ties to
Israel and the ongoing attack on the people of Palestine. A unanimous
board has voted to withdraw your invitation to Bergen Fringe. Our
sincere apologies for how this decision affects you personally.Read more

Finding Balance: The Myth and the Reality

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Both in English and Hebrew, we speak of this balance as something that must be found. It is as if the perfect blend of professional and personal is out there somewhere, hidden amongst the emails and heaps of laundry and one must only look hard enough and with a keen enough eye to locate it. And when it is found, what happens?Read more

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There is something deeply insidious in the branding of Mom Jeans. They hark at the impossible balancing act that women must do between the internal gaze and the external one. If a woman chooses to prioritize function and comfort, she must submit to being less “sexy”. And though the name Mom Jean may have been hatched as a tongue-in-cheek gest, the reality of this trade-off is dead serious.Read more

Text and Movement in Parenting

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Recently, while discussing the concept for a new piece with a colleague, she urged me not to give up on the physicality of the work. “You can say so much of what you want to say in text, but I want to see you trying to say it through movement, too,” she said.

It occurred to me that this is a good challenge to apply to my parenting and that the text/movement balance exists in my parenting as much as it does in my choreographic work.Read more

The Last Fifteen Minutes Syndrome by Ori Lenkinski

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Inevitably, family gatherings go on a little too long, past the point where everyone is happy to be together, past the dinner, dessert, coffees and teas and into a strange no-man’s-land of social interaction. The kids get cranky, the conversation runs dry, someone gets upset, screens arise from the purses and pockets they’ve been stuffed into. This desire to stay together, to milk the last drops of family time, is similar in nature to that need for one more scene, one more phrase, ten more minutes set to one last piece of music.Read more

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In live performance, every show is different. Every body is in a slightly different configuration each day, each person is in a unique mood during the show and there are all of the outside stimuli and conditions that influence the way things feel. A cold day can lead to a stiff performance and a sweltering day can garner a droopy one. Because dance is a form resting on the living body, not machines, it has to be infinitely flexible. It has to consider that no two days are the same and, as such, no two shows can be identical. What works one day won’t work the next.Read more

Being upstaged doesn’t mean we have to disappear

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Our children enter the world to upstage us. Their youth marks the waning of our own, their innocence points to the disappearance of our own. The freshness of a baby is entrancing, and it works as a tonic on most adults around. We can so easily forget ourselves when faced with our children.Read more

Reflections on Lechet by Mor Shani for Inbal Dance Theater

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Through repetitive phrases, done countless times in different interpretations, Lechet splays out the intensity of life. When the piece comes to a close, I wondered how the dancers would get home as Lechet demands every ounce of energy they have, every breath and every heartbeat. And yet, within this extreme effort, the dancers appear to be truly enjoying themselves. They have found a freedom within the grind (choreographic) and that revelation is uplifting not only as a dance-lover but as a person who runs my own rat race day in and day out. Read more

2021 יוליה פריידין מגיבה לאינטימדאנס

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כגושי בשר מהקצביה הסמוכה.

כל אחת היא הסבל,  וגם הנסבל.

שרשרת נקניק מקשטת את הצוואר.Read more

Olympic Fever and the Importance of Role Models Who Lose

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In life, be it in major moments like the Olympics or in small moments like school tests, college applications, job interview and beyond, we sometimes fail. We often fail even. And when we fail, a lot of times there isn’t anything we or anyone else can say that will make us feel better. There might not be another chance. The opportunity might be gone. And there is no path around that pain, only the hope to endure it.Read more

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