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🔦 SPOTLIGHT #4: EFRAT MAZOR What does the camera 🔦 SPOTLIGHT #4: EFRAT MAZOR

What does the camera reveal that the eye cannot see?

For more than a decade, Efrat Mazor has been documenting Israeli dance, capturing fleeting moments and building an extraordinary visual archive of the field.

A former dancer herself, Efrat approaches photography with an embodied understanding of movement, an openness to the unexpected, and a deep sense of responsibility toward the artists whose work she documents.

For Spotlight #4, we spoke with Efrat about the art of looking, learning to trust her intuition, and what happens when photographing a performance becomes an immersive experience of its own.

Read the full interview in English and Hebrew at creativewriting.me. 

Link in bio.

📸 Efrat Mazor
What an amazing morning at @indnegev with @shiwabi What an amazing morning at @indnegev with @shiwabiwa , @carmen_elmakiyes_amos , @orilenkinski and @albi__world ! 

Inspired by philosopher Emmanuel Levinas’s concept of The Other, we came together to talk, write and reflect on encounters with others, responsibility and the ways we relate to one another.

A music festival feels like the perfect setting for this kind of conversation. A chance to step outside our everyday routines, encounter different perspectives and open ourselves to new ways of thinking.

It was especially moving to hear people from the audience share their own writing, adding their voices and experiences to the conversation.

Thank you to everyone who joined us and to Albi and InDNegev for the collaboration.
איך אנחנו מזהים את האחר דרך הגוף, עוד לפני שמילים איך אנחנו מזהים את האחר דרך הגוף, עוד לפני שמילים נכנסות לתמונה?

ב״מפגש בין-גופי״, שירה שודרון (שיווה ביווה) כותבת על תנועה, תפיסה ועל האופן שבו הגוף מאפשר לנו לחוות ולהבין את האחר מעבר לשפה ולדיבור.

הטקסט נכתב במסגרת שיתוף הפעולה של Creative Writing ואלבי בפסטיבל inDnegev, בהשראת תפיסת ״האחר״ של הפילוסוף עמנואל לוינס.

לקריאת הטקסט המלא ולצפיה ביצירת אנימציה Transan-dance של שירה, לינק בביו.
מה קורה במפגש עם האחר, עוד לפני שאנחנו מנסים להבין מה קורה במפגש עם האחר, עוד לפני שאנחנו מנסים להבין אותו?

ב״לִפְנֵי הַהֲבָנָה״, כרמן אלמקייס עמוס כותבת על אחרות, זיכרון, אחריות ועל מה שנשאר איתנו ממפגשים אנושיים.

הטקסט נכתב במסגרת שיתוף הפעולה של Creative Writing ואלבי בפסטיבל inDnegev, בהשראת תפיסת ״האחר״ של הפילוסוף עמנואל לוינס.

מחר, יום שישי 16.10 בשעה 10:00, כרמן תקריא את הטקסט במפגש כתיבה בהנחיית אורי לנקינסקי, לצד שירה שוורדוב (שיווה ביווה).

מוזמנים להצטרף, להקשיב ולכתוב איתנו.

לקריאת הטקסט המלא: לינק בביו.
אנחנו ⁧יורדים דרומה! ⁧ אנחנו שמחים לשתף פעולה עם אנחנו ⁧יורדים דרומה! 

⁧ אנחנו שמחים לשתף פעולה עם אלבי בפסטיבל אינדינגב! 
⁧בהשראת תפיסת ״האחר״ של הפילוסוף עמנואל לוינס, נחקור דרך כתיבה שאלות של אחרות, אחריות ומפגש.⁩

⁧הצטרפו אלינו ביום שישי, 16.10, בשעה 10:00 למפגש כתיבה עם אורי לנקינסקי והאומניות המשתתפות כרמן אלמקייס-עמוס ושירה שוודרון (שיווה ביווה).⁩

⁧לאורך הפסטיבל תוכלו גם אתם להוסיף את המחשבות שלכם לאוסף של קולות ונקודות מבט.⁩

⁧בואו לכתוב איתנו!⁩

⁦Creative Writing is going south! ☀️⁩

⁦We’re delighted to join forces with Albi at this year’s InDNegev Festival!⁩

⁦Inspired by Emmanuel Levinas’s philosophy of The Other, we’ll explore questions of otherness, perspective and encounter through writing.⁩

⁦Join us Friday, October 16, at 10:00 AM for a writing session with Ori Lenkinski and participating artists Carmen Elmakiyes-Amos and Shira Shvadron (Shiva Biva).⁩

⁦Throughout the festival, you’ll also be invited to add your own reflections to a collection of voices and perspectives.⁩

⁦Come write with us!⁩
An Even (Green) Playing Field What happens when y An Even (Green) Playing Field

What happens when youth and age meet on equal footing?

In 'Metamorphosis', Yossi Berg and Oded Graf bring two generations of performers together on a green playing field, challenging familiar assumptions about youth, aging, and transformation.

Ori Lenkinski reflects on the encounter, the specter of catastrophe, and what it means to grow older without necessarily growing lesser.

Read the full text at the link in our bio.

Photography by Efrat Mazor.

על מגרש (ירוק) שווה

מה קורה כשנעורים וזקנה נפגשים כשווים?
ביצירה 'מטמורפוזה', יוסי ברג ועודד גרף מפגישים בין שני דורות של רקדנים על מגרש משחקים ירוק, ומאתגרים תפיסות מוכרות על נעורים, הזדקנות ושינוי.

אורי לנקינסקי מהרהרת במפגש, בצל האסון המרחף מעליו, ובמשמעות של להתבגר מבלי בהכרח להפוך לפחות.

לקריאת הטקסט המלא באתר Creative Writing. לינק בביו.

צילום: אפרת מזור
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The Morning After Buzzkill: Kids and Costumes by Ori Lenkinski

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Last year, at the end of the weeklong celebration of Purim, my older daughter declared that she would like to dress up as a character from Disney’s Descendants next year. For the other days, Famous Day, Pajama Day, Countries Day, we made a plan a week in advance. We knew exactly what she wanted to dress up as on each day. The night before the first dress-up day, we tried on her Frida Kahlo costume (which was gorgeous I must admit). She looked at herself in the mirror, beaming.

The next morning, as she was going to get dressed she said,
“I don’t want to dress up.”Read more

My Lunch Break Dream by Valentina Gaia Lops

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This memory guides me to the very first dance studio I ever saw. It had a name: Sala Rossa. It was a bright red box of a room with golden barres and pictures of famous ballerinas hanging on the walls. All very anxiety-inducing for my likes. I’m surrounded by slim, beautiful girls walking like elegant cats, holding onto the barre for balance in ways that seem effortless to me.Read more

A Love Letter to Balloons by Becca Loevy

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Dear Balloons,

thank you for reminding me
to stay plenty empty
available for space
and new possibilities.Read more

The Perception of Time in Dance and Parenting by Ori Lenkinski

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One of the things I love most about dance is the way it distorts my perception of time. On stage, time is stretched far beyond its usual limits. There is time for everything, for thinking, feeling, moving, connected, making decisions and renewal. A short piece can encapsulate an entire world if approached correctly. In his book Blink, Malcolm Gladwell writes of this phenomenon regarding athletes.
“The basketball superstar Larry Bird used to say at a critical moments in the game, the court would go quiet and the players would seem to be moving in slow motion.”Read more

Dear “Enter Achilles” (DV8) by Rachel Erdos

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I remember the way the chair felt and that feeling…. that feeling of seeing something that would change me. It was not just that the piece was excellent. It was that first-time sensation…. the first time when something on stage punched me in the guts…the first time I saw a show that depicted real people exploring everyday social issues not just making pretty shapes. I knew it was choreographed and practiced but, for me, it was happening in real time. It was everything that I could imagine and more. I was in high school and we were told to take notes but no notes could describe what I felt so my page was left empty.Read more

Dear Art of Breaking (FREE) by Olga German

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You are a dance style
with a name that sounds like destruction, but you only destroy obstacles and fears.
You are an art form contradicting limits and always inspiring to go for more.
I think I love you for many things. But I really appreciate that you always accept
me the way I am and push me to leave the comfort zone. Well, over the past 3 years,
that comfort zone never found me. And it is a gift.Read more

bODY rEMIX rEWOUND – on performing the same work fourteen years later by Kimberley De Jong

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I think the major opinion about returning to work as a dancer after maternity leave is that we become less hireable and that our bodies change for the worse. A big question employers ask is “how will these mother/dancers ever manage a tour life with children”? I understand these worries and to say I never had them would be lying. But how are we supposed to overcome certain beliefs if we believe them ourselves?Read more

Dear Dance by Noelle Ruggieri

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Dance, I need you to know you are my one and only, and
I will keep trying. If you could only see how much I love you, I know you’d love me back. I
want you to be devoted to me, like how I am devoted to you. I don’t want to be your side piece
anymore. I think I deserve more.Read more

Complaint Spirals in the Studio and at Home by Ori Lenkinski

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As a parent, and as a choreographer, these are some of the hardest moments. They are situations that require creativity, calm, patience and endurance. It is not easy to prize someone free of a complaint spiral, sometimes it’s nearly impossible. But, for me and my child, being able to identify that we are in one is somehow useful. And knowing that there is an end to it, that it will eventually resolve, provides the encouragement I, at least, need to get through.Read more

Emotionally High Risk Pregnancies and the Care They Require by Ori Lenkinski

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It is impossible to divorce the emotional strain of bringing a child into the world from the physical effort. They are two sides of an intense, forty-week-long journey and they are both valid, legitimate and real elements of it. Doctors and healthcare providers need to broaden their approach to pregnancy and the care given to women needs a more holistic perspective on mind and body.Read more

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