Our children enter the world to upstage us. Their youth marks the waning of our own, their innocence points to the disappearance of our own. The freshness of a baby is entrancing, and it works as a tonic on most adults around. We can so easily forget ourselves when faced with our children.Read more
Through repetitive phrases, done countless times in different interpretations, Lechet splays out the intensity of life. When the piece comes to a close, I wondered how the dancers would get home as Lechet demands every ounce of energy they have, every breath and every heartbeat. And yet, within this extreme effort, the dancers appear to be truly enjoying themselves. They have found a freedom within the grind (choreographic) and that revelation is uplifting not only as a dance-lover but as a person who runs my own rat race day in and day out. Read more
In life, be it in major moments like the Olympics or in small moments like school tests, college applications, job interview and beyond, we sometimes fail. We often fail even. And when we fail, a lot of times there isn’t anything we or anyone else can say that will make us feel better. There might not be another chance. The opportunity might be gone. And there is no path around that pain, only the hope to endure it.Read more
Choreographers have always filmed auditions. Until recently, it was clear that this recordings were to be used for later reference and were private.
However, I have noticed that more and more choreographers are affording themselves the luxury of publishing audition videos online.Read more
In the past, I need the audience’s approval and affirmation more. There is a balance between pleasing myself and pleasing the audience and it has changed from process to process. I’m trying to learn how to fulfill my own desires and I believe that if I’m able to free myself to satisfy myself, it will also satisfy the audience.Read more
On March 6, when The Suit took part of the Women Festival at the Holon Theater, I finished two performances, checked the box in my mind that I had completed the engagement and looked onwards to a month and a season full of shows and tours. Little did I, or anyone else, know that it would be my last meeting with an audience for a long while. So when I walked down the stairs of the Alliance House on September 9, onto the site-specific “stage” that would be the stomping ground for Meet Me in the Market, a performative tour of Jerusalem’s Mahane Yehuda Market inspired by Jackie Kennedy, the impact was amplified exponentially.Read more
When I think about the many times in which I have said, “I felt bad so I…” I realize that we program girls and women to use these words in the exactly wrong way. We should never do anything because we “feel bad.” If you feel bad it means something off is happening. It means someone is asking you to do something that makes you uncomfortable. Instead of going along with it because you feel bad, a red flag should go blazing into our consciousness. “I feel bad” or “I feel uncomfortable” should be a clear sign to cut and run or, at least, to proceed with extreme caution.Read more
The moments in my life in which I have made the best choices have been the ones in which some inner force pushed me, obliged me to take full use of my agency. Dropping out of college was one but there were others. Leaving a volatile relationship, moving cities, quitting endless bad jobs, those moments in which I felt uncomfortable enough to stop doing something and get up and walk away. It isn’t that I condone quitting but I do support knowing when something isn’t right and listening to that voice.Read more
It seems that in her path to healing, Blikman has not only found a way to mend the factions caused by her own trauma but to bring together two worlds, martial and performance art. “We say ‘martial art’ but in it there is art. Here, I really want to connect these two words. I want to find that connection, that freedom that art can bring to martial arts.”Read more