Annabelle Dvir is sent on an associative journey following the performance of Curtain 2: Always is Here by Adi Boutrous and SCARABEO: Angles and the Void by Andrea Costanzo Martini. *Text in Hebrew.Read more
A list of thoughts regarding Adi Boutrous’ Always is Here and Andrea Costanzo Martini’s SCARABEO: Angles and the VoidRead more
Nir Degani’s response to Curtain 4: Sahar Damoni’s Pirgi’in and Asaf Aharonson’s What’s to Come. Read more
Tamar Lamm’s photo response to Curtain 4: Asaf Aharonson’s What’s to Come. Read more
A visit. An attempt to trap the thoughts that ran through my mind as I watched or came up after- not necessarily about the works rather through them… Because dance has this Rorschachian power to touch already-exposed nerves.Read more
In both works I saw young choreographers who had found an experienced dancer/collaborator to share the creative process and journey with fully. That is a precious gift in my opinion.
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Yulia Frydin’s poetic response to Curtain 4: Sahar Damoni’s Pirgi’in, Shira Eviatar’s Rising and Asaf Aharonson’s What’s to Come.Read more
Samama, wilderness, lake, horror, death, memorial, stones on a grave, soldiers, uniforms, red, hammer, to hit, to strike, nail, chilling, hurtful, the pelvis, side to side, flipping, unclear…Read more
Relation is political
To ignore is political
The symmetry is political
The unison is politicalRead more
Fainting, edginess, heaviness of the abdomen, muscular contractions and shortness of breath- these are just a few of the symptoms associated with the disorder “Female Hysteria”, as it was known in the middle of the 19th century. Read more