ืžื—ืฉื‘ื•ืช ืขืœ ื”ืžื•ืคืข “ืงื‘ื•ืฆืช” ืฉืœ ืžื™ื›ืœ ืกืžืžื” ืžืืช ื™ื•ืœื™ื” ืคืจื™ื™ื“ื™ืŸ

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*ืฆื™ืœื•ื ื ื˜ืฉื” ืฉื—ื ืก ื‘ื—ื•ืฅ ื’ืœ ืงื•ืจ ืฉื”ื‘ื™ืื” ืื™ืชื” ื’ื‘ืจืช ืงื•ืจืœ ื•ื‘ืชื™ืื˜ืจื•ืŸ ื”ื‘ื™ืช ื”ื—ืžื™ื ืžืฆื˜ื•ืคืฃ ื›ืžืขื˜ ื›ืœ ืงื”ื™ืœืช ื”ืžื—ื•ืœ, ื›ื“ื™ ืœืฆืคื•ืช ื‘ืชื•ืคืขื” ืฉื ืงืจืืช ืžื™ื›ืœ ืกืžืžื”. ื”ืื•ืœื ื‘ืจื•ื‘ื• ืžืœื. ื”ืงื•ืจ ืœื ืขื•ืฆืจ ืื•ืชื ื• ืœืฆืืช ืžื”ื‘ื™ืช ื‘ื™ื•ื ืจืืฉื•ืŸ ื‘ืฉื‘ื™ืœ ืคื™ืกืช ืืžื ื•ืช ืœื ืฉืžื”. ื”ืจืงื“ื ื™ื ื”ื•ืœื›ื™ื ื‘ื™ืŸ ื”ืฉื•ืจื•ืช ื•ืžืชื™ื™ืฉื‘ื™ื ืขืœ ืงื”ืœ ืจื ื“ื•ืžืœื™, ืžื™ืฉื”ื• ืฉืืœ ื‘ืชืžื™ืžื•ืช ืื ื–ื” ื—ืœืง ืžื”ืžื•ืคืข, ื•ืื ื—ื ื•Read more

ืื ื™ ืกื•ืœื•- ืจืฉืžื™ื ืžืืช ืขื“ืŸ ืงืจืžืจ

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ย  ย  ย  ย  ย  ย  ย  ย  *ืฆื™ืœื•ื ืืกืงืฃ ืื‘ืจื”ื     ื‘ืขืจื‘ ืชืœ ืื‘ื™ื‘ื™ ื’ืฉื•ื ื”ืฆื˜ื•ืคืฃ ืงื”ืœ ืจื‘ ื‘ืชื™ืื˜ืจื•ืŸ ืชืžื•ื ืข. ืœื ื ื•ืชืจ ื›ืกื ืื—ื“ ืคื ื•ื™. ืžื—ื™ืื•ืช ื”ื›ืคื™ื™ื ื”ืกื•ืขืจื•ืช, ื”ืฆื™ืœื•ืžื™ื ื”ืื™ื ื˜ื ืกื™ื‘ื™ื™ื ื•ื”ื”ืชืจื’ืฉื•ืช ื”ื’ื“ื•ืœื” ื‘ืงืจื‘ ื”ื™ื•ืฉื‘ื™ื ืœื ื”ืฉืื™ืจื• ืžืงื•ื ืœืกืคืง: ื‘ื ื™ ืžืฉืคื—ื” ื•ื—ื‘ืจื™ื ืงืจื•ื‘ื™ื ื‘ืื• ืœืจืื•ืช ืืช ื”ื‘ื ื•ืช, ื”ืื—ื™ื•ืช ื•ื”ื—ื‘ืจื•ืช ืฉืœื”ื ืขื•ืœื•ืช ืื—ืช ืื—ืช ืขืœRead more

ื”ืžืฉื—ืง ื”ื‘ืœืชื™ ืฆืคื•ื™- ืžื—ืฉื‘ื•ืช ืฉืœ ืœื™ื–ื” ืคื•ื˜ืจืžืŸ ืขืœ ืณืžืคื’ืฉื™ื ืฉืœ ื ื•ื›ื—ื•ืช ืจื›ื”ืณ

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ืื™ืœื ื™ืช ืžื–ืžื™ื ื” ืื•ืชื ื• ืœื”ื‘ื™ื ืœืžื•ื“ืขื•ืช ืฉ”ืœืžืขืฉื” ืื™ืžืคืจื•ื‘ื™ื–ืฆื™ื” ื–ื” ืžืฉื”ื• ืฉื›ื•ืœื ื• ืขื•ืฉื™ื ืื‘ืœ ื‘ืœื™ ืžื•ื“ืขื•ืช” ื•ื™ื•ืชืจ ืžื›ืš, ืฉ”ืื™ืžืคืจื•ื‘ื™ื–ืฆื™ื” ื”ื™ื ืœืžืขืฉื” ื”ืชืฉืชื™ืช ืฉืœ ื”ื—ื™ื™ื ืฉืœื ื•.” ื”ื—ื™ื™ื ืฉืœื ื•, ืื™ื–ื” ื“ื‘ืจ ื’ื“ื•ืœ ื–ื”, ืื– ื›ืŸ ืื•ืœื™ ื‘ืืžืช ื™ืฉ ืฉื ืžื™ื“ื” ืฉืœ ื—ื™ืจื˜ื•ื˜ ืื‘ืœ ืœื ืจืง, ื”ืจื™ ืฉ”ื›ืœ ืคืขื•ืœื” ืฉืžืขืจื‘ืช ืื™ืžืคืจื•ื‘ื™ื–ืฆื™ื” ื›ื•ืœืœืช ื—ืฉื™ื‘ื” ื•ืžืคืชื—ืช ื™ืฆื™ืจืชื™ื•ืช” ื›ืžื• ื”ื—ื™ื™ื ืขืฆืžื, ืœื?ย Read more

The Rite of Spring by Yossi Berg and Oded Graf- A Look at Two Performances by Heather DeAtley

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Suppressed feelings, stunted Intuition. This is the design: confusion and disorientation have their own violence to them. Every time Yossi began to FEEL something, moments of disbelief, confusion, something new, something strange, something real, his repetition of โ€œYo, yo, yo!โ€ reinforced what was unfamiliar. He was simultaneously resisting and spell-casting with each โ€œYoโ€–a quiet opposition to Patriarchal Forces that had silenced, banished, and cursed the internal guidance systems responsible for questioning the absurdity of such force, manipulation, and control. The red fabric stuffed in the mouths of the 4 male dancers representative of this silencing by the Patriarchy.Read more

ย ืชื’ื•ื‘ื” ืฉืœ ืืœื” ื’ืจื™ื ื‘ื•ื ืœื™ืฆื™ืจืชื” ืฉืœ ืขื ื‘ืœ ืื•ืฉืžืŸ: M Stabat Mater

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ืฆื™ืœื•ื ืื™ื™ืœ ืœื ื“ืกืžืŸ “ืื ืžื•ื›ืช ื™ื’ื•ืŸ ืขื•ืžื“ืช, ืžื•ืœ ื”ืฆืœื‘ ื‘ื•ื›ื”, ืจื•ืขื“ืช, ืฉื ืชืœื•ื™ ื™ืฉื•ืข ื‘ื ื”. ืืช ืœื‘ื” ื”ืžืชื™ืคื— ืœื”ื‘ ื”ื›ืื‘ ืคื•ืœื—, ืžื” ื ื•ืจื ื”ื•ื ื™ื’ื•ื ื”. ืžื” ื ื•ื’ื” ื”ื™ื, ืžื” ืกื•ื‘ืœืช ื”ืงื“ื•ืฉื”, ื”ืื ืœื™ืœื“ ื”ืื—ื“ ื•ืื™ืŸ ืื—ืจ, ื”ื›ื•ืื‘ืช, ื”ื“ื•ืื‘ืช, ื”ืจื•ืขื“ืช ืœืžืจืื”ื• ืฉืœ ื”ื‘ืŸ ื”ืžืชื™ืกืจ.” ืชืจื’ื•ื ืฉืœ ืขื“ื• ืื‘ืจื‘ื™ื” ืœืžื™ืœื•ืช ื”ืžื–ืžื•ืจ ื”ืงืชื•ืœื™ ืžื”ืžืื” ื”13, ืกื˜ืื‘ื˜ ืžืื˜ืจ.  Read more

Love Through Time and Space

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Maybe a dance piece is also a dance peace, as in โ€“ a way to make peace with Oriโ€™s almost life-long relationship with dance. Peace and love. And here we come full circle, as dance is love through time and space.Read more

ืžืจื™ื•ื ื˜ื” ืฉื—ืชื›ื• ืœื” ืืช ื”ื—ื•ื˜ื™ื

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It seems the dancers created their own rules and it is fascinating. Throughout the piece they seem to be inviting us to discover and explore it. Is it their or the choreographerโ€™s? Who determined the rules? And which rules were broken?Read more

Where the Wild Things Are

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The term “to runย wild” means to grow unrestrained, undisciplined, like a wild animal or an imagination that isn’t held back by rules.Read more

ืจืฉืžื™ื ืฉืœ ื’’ื ื™ ื‘ื™ืจื’ืจ ื‘ืขืงื‘ื•ืช ืื™ืจื•ืข ื›ืœื’ื•ืฃ ื‘ื›ืœื™ื โ€“ ืฉืœื•ืฉ ื™ืฆื™ืจื•ืช ืžื—ื•ืœ ืฉื ื•ืฆืจื• ื‘ืฉื™ืชื•ืฃ ื.ื ืฉื™ื ืขื ืžื’ื•ื•ืŸ ื™ื›ื•ืœื•ืช

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ย  ย  ย  ย  ย  ย  ย  ย  ย  ย  ย  ย  ย  ย  ย  ย  ย  ย  ย  ย  ย  ย  ย  ย  ย  ย  ย  ย  ย  ย  ย  ย  ย  ย  ย  ย  ย  ย  ย  ย  ย  ย  ย  ย  ย  ย  ย  ย  ย  ย  ย  ย  ย  ย  ย Read more

ืžื—ืฉื‘ื•ืช ืขืœ ืดืคืจืœืžื ื˜ ื”ืืžื”ื•ืช: ืขื•ืฉื•ืช ืชืงื•ื•ื”ืด ืžืืช ืขื“ืŸ ืงืจืžืจ

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At its essence, the Mothersโ€™ Parliament wanted to create hope- and they succeeded. Read more