Yulia Frydin on Curtain 1: Michal Samama and Tami Lebovits

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I enter the Suzanne Dellal Hall and experience a flashback
To the end of the year celebration of 8th grade, on the theme of “100 years of Zionism”
Somewhere, in the Dora community center, in Netanya City.Read more

Thoughts on Failure Courtesy of The Bauhaus

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If Bauhaus was a failure, what’s so great about success?Read more

Thoughts on You Look Like You by Yaniv Cohen

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Why do we always want the performance to go to the edge? Why do we ask a woman who has just informed us she is pregnant to jump off a plastic chair in order to reach the ceiling? Why is “explode” the first thing we ask of the clearly angry performer? Why does control always lead to some kind of humiliation or abuse?Read more

Daphna Horenczyk on Project 48- Day 2

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I wonder- is it even possible to have an uncivilized conversation in this situation? Is the participation of the audience in this show a choreographic manipulation meant to distract the viewer or is it a build up to the directed, “uncivilized” conversation that follows? Read more

Yulia Frydin on Project 48- Day 2

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I realize that it’s going to be a very interesting evening
The lights are out and I am waiting excitedly to see
What the Project 48 people have concocted for us

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Morahn Bash on Project 48- Day 1

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Above all, there was that same loneliness that Agadati spoke of. The same inner grief that attacks when cracks of doubt and question marks begin to appear, the worry of not being understood,
and the loneliness that accompanies it.Read more

Yulia Frydin on Project 48- Day 1

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Galloping on stage
Like a wild horse
In a danced
Fashion
ProcessionRead more