Yulia Frydin on FUEL by Bar Altaras and Ifat Netz

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How can one even write about body, movement, language.

To hold something intangible. Fluid. Present-

And in an instant it becomes something different more forceful than what was.Read more

Ana Harmon on Valley by Omer Backley-Astrachan

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‘Environmental dance,’ is a term used to describe movement which meditates on the human body’s relationship to landscape and the environment. Backley-Astrachan’s dancers personify icy archipelagos, an especially poignant depiction in light of what has been recently coined the ‘anthropocene,’ or the geological age during which human activity is the dominant influence on climate and the environment.Read more

A LOVE LETTER TO INTIMADANCE

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Dear Intimadance,   I started my process with a little research about Yoko Ono. More specifically, about John and Yoko and how they were perceived. (None of that research was at all relevant to the piece I presented and was most likely a massive waste of time.) In any case, the story goes that JohnRead more

Spring Forward: On being a professional audience member

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I witnessed nineteen performance in Aarhus. I sat in a what felt like a dozen venues, some of the nicest I have seen, and tried to receive what the Spring Forward 20 proposed.Read more

Spring Forward: Kids by Kuan-Hsiang Liu

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Kids is a staged documentation of sorts of the death of Liu’s mother. Throughout the piece, recorded conversations between Liu and his late mother are played. These talks touch on her impending death, on memory and on family history. Like life, they don’t always follow a clear path.

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Spring Forward: Wayne McGregor’s Tree of Codes

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The audience, though illuminated, were in no way motivated to do anything. To participate in something, one must act. Here there was no action, only the clarification and emphasis on our inactivity.Read more

An Interview with Noga Harmelin, longtime dancer in Inbal Pinto & Avshalom Pollak Dance Company

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I’m very different in normal life. I feel the same inside but I present something else, I come out as something else. In real life I’m very hesitant, unconfident and on stage I’m not. On stage, I lose it.Read more

No Give Back’s: The Appropriation of Contemporary Dance in Pop Culture

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The appropriation of contemporary dance into pop culture both strengthens and weakens our form. We love the exposure but feel angry that those benefitting from our hard-won aesthetics and practices are not the true owners. Tourists not citizens. We don’t see bigger audiences at Revelations because of a twirled umbrella in Formation. Read more

Vicens Mayans on International Exposure

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Back at home, Barcelona-based Vicens Mayans gives a round-up of highlights from International Exposure. Read more

Roberto Casarotto on Days 3 & 4 of International Exposure

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Pictures of Common Emotions by Yasmeen Godder:       Pictures of After Show Spaces:           ROBERTO CASAROTTO  Since 2006, Roberto has been director of the dance projects for the Centro per la Scena Contemporanea di Bassano del Grappa (CSC) and Operaestate Festival Veneto. Associate director of Aerowaves, he is aRead more