讛讛讜驻注讛 砖诇 讛住讘讘 讛专讗砖讜谉 砖诇 驻专讜讬拽讟 48 讛转拽讬讬诐 讘11.10. 讛讬讜爪专讬诐 讛转讘拽砖讜 诇讛转讬讬讞住 诇住专讟讜谉 讛讝讛 讘注讘讜讚讜转 砖诇讛诐: 聽 This聽诪值讗值转 诪执讬讻指讗值诇 讙讟诪谉 砖讈指诇讜止砖讈 谞职拽只讚旨讜止转 讘旨址讞植诇址诇 讬讜止爪职专讜止转 拽址讜 讗植诇址讻职住讜止谞执讬 诪执诇旨指讛-专讜止讚侄驻侄转-转旨职谞讜旨注指讛-专讜止讚侄驻侄转- 诪执诇旨指讛-专讜止讚侄驻侄转-转旨职谞讜旨注指讛. 讛址讗执诐 讝侄讛- …讝侄讛? 诇侄讙讜止 爪讜旨专指谞执讬 讜旨转职谞讜旨注指转执讬 诪址专职讻旨执讬讘 诪执砖讈职驻旨指讟 诪职驻止专指拽. 诪执讙职讝职专讜止转 谞职讬指专 讙旨讜旨驻指谞执讬旨讜止转 诇止讗 诪职注只谞职讬指谞讜止转 讘旨指讗讜止专职讙旨指谞执讬旨讜止转. 诇指讛侄谉 讬值砖讈 讗执讬讚值讗指讛. 讗执讬讚值讗址诇 讬止驻执讬 诪只讞职诇指讟 讜职住指讙讜旨专. 转旨职讚址驻职讚旨职驻讜旨 讘驻诇讬驻 讘旨讜旨拽 砖讈侄诇 诪址专职住-Read more
Six years ago, while participating in Jardin d鈥橢urope鈥檚 Critical Endeavor at Impulstanz-Vienna聽 International Dance Festival, I watched Jan Fabre鈥檚 Preparatio Mortis. The performance, a solo made by Fabre for Annabelle Chambon, made a lasting impression on me. In fact, of the hundreds of dance works I have seen in the past decade, it is amongRead more
I鈥檓 slowing down. I鈥檓 starting to catch my breath. I wipe a bead of sweat from my forehead, while still jogging lightly in place and tapping my chest. Ohad Naharin, the Artistic Director of Bat Sheva Dance Company is standing on a platform in the middle of a warehouse in Tel Aviv. Read more
When the end catches you by the throat
In utter darkness
Choking a tear
Buttons come undone on a shirt and the heart bursts out- pounding and beating.Read more
“…I suddenly understood that my whole life I was busy with looking out- as if I had only looked at the display window. Today, in order to see, I close my eyes and look inwards…”
“… When the doctor offered me a pill to make the shaking stop, I said ‘why? It’s a good thing to laugh about’…”
Read more
The hand is discovered.聽
Exhale and inhaling,聽
The hand is a brush painting around me
Lines, dots, smears.
The common space became a huge canvas that began as white and turned crowded with layer upon layer of color.聽Read more
Why did I call it Venezuela? Actually, I have two stories. I鈥檒l tell you the first one, which is that when I wanted to give the work a name, I took a globe and I rolled it, I closed my eyes and put my finger down. And when I opened my eyes, it was Venezuela. That鈥檚 a good story. But that鈥檚 not the reason. I made it up. Read more
A ray of light passes between The two.
Presses side to side, head to head, body to body.
In the illusion of gender the struggle becomes clear, what is between her
And him? Between him and her? Between her and her?Read more
The Jewish Connection Project by Ido Batash and聽Lisi Estaras was presented on December 5 as part of Machol Shalem Dance House‘s Jerusalem International Dance Week.聽 Erez Kashi聽is a Tel Aviv-based photographer.Read more
Maayan Liebman-Sharon and Yaara Nirel presented E-Sheket/116 Reasons as part of Machol Shalem Dance House‘s Jerusalem International Dance Week on December 4.聽 Erez Kashi聽is a Tel-Aviv based photographer.Read more