Nir Degani’s response to Curtain 4: Sahar Damoni’s Pirgi’in and Asaf Aharonson’s What’s to Come. Read more
Tamar Lamm’s photo response to Curtain 4: Asaf Aharonson’s What’s to Come. Read more
On the tails of a wonderful and fruitful adventure at Curtain Up, we dive into Between Heaven and Earth in Jerusalem. Some very special guests will be responding to the incredibly rich program of this year’s festival. More to come soon. .מיד אחרי הרפתקה מעניינת ופורה בהרמת מסף, אנחנו צוללים לתוף פסטיבל בין שמייםRead more
A visit. An attempt to trap the thoughts that ran through my mind as I watched or came up after- not necessarily about the works rather through them… Because dance has this Rorschachian power to touch already-exposed nerves.Read more
In both works I saw young choreographers who had found an experienced dancer/collaborator to share the creative process and journey with fully. That is a precious gift in my opinion.
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Yulia Frydin’s poetic response to Curtain 4: Sahar Damoni’s Pirgi’in, Shira Eviatar’s Rising and Asaf Aharonson’s What’s to Come.Read more
Samama, wilderness, lake, horror, death, memorial, stones on a grave, soldiers, uniforms, red, hammer, to hit, to strike, nail, chilling, hurtful, the pelvis, side to side, flipping, unclear…Read more
Relation is political
To ignore is political
The symmetry is political
The unison is politicalRead more
Fainting, edginess, heaviness of the abdomen, muscular contractions and shortness of breath- these are just a few of the symptoms associated with the disorder “Female Hysteria”, as it was known in the middle of the 19th century. Read more
I enter the Suzanne Dellal Hall and experience a flashback
To the end of the year celebration of 8th grade, on the theme of “100 years of Zionism”
Somewhere, in the Dora community center, in Netanya City.Read more