התרשמות של יוליה פריידין מ׳ציפור טרופה׳ מאת בר אלטרס

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Before us is an experiment in sound, vibrations, movements of the body, voice. She has a unique physical language.
Movements repeated in a particular order create a structured choreography: a trembling cheek, gripping the nose, the head moving from side to side and backward.Read more

תגובתה של נופר סלע ל׳הוסר זמנית׳ בפסטיבל ישראל

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“Since the Israel Festival can no longer be a platform for international work, it has been asking itself what its role is at this moment,” Erez says.

Looking at this year’s program and those of previous years, the answer is very clear: the festival has taken it upon itself to create and sustain local art that thinks, that has compassion, that kicks back.Read more

על ‘הלב החושב’/ נדב בושם

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Before the audience, a kind of creative tapestry inspired by Hillesum was woven, speaking about her and with her through the experiences of our lives here today, and it was intelligent and delicate and moving and funny. And yet there was only one thing missing for me, one voice that was not heard or present onstage: the voice of the man, of the male performer.Read more

תגובתה של ענת דרימר ל׳ניצבים׳ מאת יהונתן רון

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Jonathan and the work have managed to articulate a moving insight about the role of the extra in society as a whole, and not only in art. About the freedom afforded to marginal figures, beside whom the heroes seem domesticated, almost devoid of imagination. It is a beautiful way of unsettling the question of who tells the story, who is interesting to listen to, what stories we miss when we cling to familiar aesthetics and familiar melodies, and more broadly, what stories we allow ourselves to let slip away, to close ourselves off to, to lose.Read more

Heather DeAtley’s Musings on ‘Alma Galbi’ by Adva Yermiyahu

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An epic evening fusing rich movement and sound cultures across the Mediterranean and Andalusia. Read more

In Parallel: The Same Ingredients by Ori Lenkinski

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How does this type of artistic convergence happen?
Perhaps Bellahsen and Leibovits were growing in the same garden, drawing nourishment from the same soil.Read more

תגובה של אלה גרינבום ל׳סולידריות׳ מאת נאור וולקר

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It was extraordinary to experience the entire theater as a living community. The audience surged with emotion, inhabiting the performance with their own bodies from their seats. The resonance could be felt everywhere, around us, above us and beneath us.Read more

התרשמות של יוליה פריידין מ”עשה זאת בעצמך”-מאת הלל קוגן ודניאל אגמי

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Danielle is a phenomenal performer. Total, fearless and deeply moving. There is something almost divine in the way she moves. It is mesmerizing, powerful and above all authentic.Read more

תגובה של אלה גרינבום ל׳הארדקור [ריקוד האור]׳ מאת תמי לייבוביץ

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The dancers and musicians carry us with their voices toward a moment of transcendence. It feels as though the entire theater is washed in the colors of their voices, a moment of tenderness that stands in quiet contrast to the sounds of gunfire.Read more

בואי: אוריין מיכאלי הופכת את כישלונה של שותפות אומנותית ישראלית־פלסטינית ליצירת מחול מטלטלת – מאת ג’וי ברנרד

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An original, piercing, intelligent work of dance theatre.Read more