To Shush or Not to Shush? The Nutcracker Question by Ori Lenkinski

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The casual, come-as-you-are approach may pry open elitist doors for audiences who would otherwise find the ballet too stuffy, but I wonder about the cost. When you can buy popcorn or cotton candy at intermission, does everything become one big circus? Have we excused ourselves from dressing up and behaving politely because it is easier not to? Just because it is hard for children to sit quietly through a show, does that mean they should not be required to? And when we let ourselves off these hooks, do we miss out on the magic of the experience or ruin it for others?Read more

רשמים של יוליה פריידין משתי יצירות מאת אורי לנקינסקי

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a dance piece ההופעה של אורי לא התחילה עם המנטרה הרגילה כיאה לתקופה: “במקרה של אזעקה, נלך למרחב מוגן”.  ידעתי שצפויות להיות שתי הופעות, וקיוויתי שנתחיל מההופעה של אורי.  אורי לוקחת נשימה עמוקה, ומתחילה להרים ידיים ופורסת אותן לצדדים, ואז מבצעת פיתול עם הגוף.  דרך תנועות גופה אורי מזמינה לבמה את האימהות הקדומות של המחולRead more

Reflections on Julyen Hamilton’s ‘Koan- For Our Times’ by Ori Lenkinski

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For a self proclaimed selfish bastard, Hamilton is one of the most gracious and generous people I have ever seen on stage.Read more

Ori Lenkinski reflects on ‘Puppet Party’ Plus

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We won’t ever know the real effect of walking in and out of this war but in the film Puppet Party, Galina uses his many talents to convey the fractured pieces of himself unraveling and being unraveled. Read more

Thoughts on Gal Gorfung’s ‘Fusion’ by Ori Lenkinski

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If nothing else, Fusion proved that Gorfung’s prognosis is the last in a long list of things that make him special.Read more

Love Made Visible by Heather DeAtley

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Ori Lenkinski’s ‘A Dance Piece’ is nothing short of masterful. Revealing and revelatory in its’ autobiographical authenticity, vulnerability, and candidness, Ori charms and enthralls the intimate audience in the Menashe Dance House studio (the original sanctuary she began the journey of creating the piece) from the moment she walks in and begins an interaction reminiscent of the dynamic between friends.Read more

Parental Choreography: Coming Out with Our Dreams by Ori Lenkinski

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As children, we are often terrified to share our dreams with our parents for fear that they will try to shut them down.

As parents, we are terrified that our children will never find a dream they feel strongly enough about to pursue.Read more

Love Through Time and Space

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Maybe a dance piece is also a dance peace, as in – a way to make peace with Ori’s almost life-long relationship with dance. Peace and love. And here we come full circle, as dance is love through time and space.Read more

Impressions of Jackie Pink and Black by Ori Lenkinski, written by Jenny Birger

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Interweaving facts, anecdotes, imagery, recordings, and her own interpretation of this complex web of data, Ori’s ghost of Jacqueline Kennedy touched me deeply. It made me think of a beautiful poem I discovered earlier this year called “Bluebird”, by another American icon – Charles Bukowski. It starts like this: “There’s a bluebird in my heart that wants to get out but I’m too tough for him. I say, stay in there, I’m not going to let anybody see you.” Jackie Pink and Black feels like opening the cage, enabling us to hear the bluebird sing a little. Read more