讛专讛讜专讬诐 砖诇 讗诇讛 讙专讬谞讘讜诐 讘注拽讘讜转 爪驻讬讛 讘壮讛驻专讚讜转 / 讚讜诐壮 砖诇 讗谞住诪讘诇 讘转-砖讘注

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Both works powerfully express the emotions we鈥檝e all been carrying through this past month and more: anxiety, terror, helplessness, the attempt to survive inside all this darkness.Read more

Ella Greenbaum’s Response to ‘Life in Lycra’ by Andrea Constanzo Martini and ‘Paradise’ by Matan Cohen

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‘Life in Lyrca’ is all very funny but also thought-provoking, raising questions about the power dynamic between the creator and the audience. How much power does he have to instruct us on how to watch, what to think, how to understand and interpret, and when to applaud?
The work ‘Paradise’ by Matan Cohen deals with the harsh truth of life in our country.Read more

Ella Greenbaum’s Reflections on 1|2|3 MIX- Program 1

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There鈥檚 something fairy tale-like about the Suzanne Dellal Center complex, even just arriving at the courtyard or the well next to Inbal Dance Theater feels like stepping into a princess’s palace. Being there, even for a moment, feels like a bubble separate from the city. And with all the support of 1|2|3, every princess immediately levels up to a queen.

So I went to take a peek at the next generation of dance royalty.Read more

讗诇讛 讙专讬谞讘讜诐 诪讙讬讘讛 诇壮拽讜诇 讗讚诐壮 诪讗转 专诪讬 讘讗专 诇诇讛拽讛 讛拽讬讘讜爪讬转

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Rami Be鈥檈r created, from within what is happening to him and to us, a beautiful piece of art that dances this very hardship, so much so that it was hard to enjoy.Read more

Playing With Fire

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诪讞砖讘讜转 砖诇 讗诇讛 讙专讬谞讘讜诐 注诇 Playing With Fire 诪讗转 讬注谞拽诇壮讛 驻讬诇爪专     “I’m the most resentful one in my family. I didn’t cry so I got angry instead. It was ugly. There was fire on top of the fire. “   讻讱 讻转讘 讬注谞拽诇’讛 讘转讻谞讬讬讛.   注专讘, 拽专谞讬讬诐 讗讞专讜谞讜转 砖诇 砖诪砖 讘爪讘注讬 驻住讟诇 诪讘爪讘爪讜转Read more

讛转讙讘专讜转 (讜讛转讘讙专讜转) 讻讛 谞注讬诪讛- 诪讞砖讘讜转 砖诇 讗诇讛 讙专讬谞讘讜诐 注诇 壮拽专讬讜拽讬壮 诪讗转 专讬讬爪壮诇 讗专讚讜住

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That is the genius of this show.

The audience enters as they would a regular karaoke night with a menu comprised of songs. The dancers pass through the audience pouring shots for everyone.

It is a show that is life and life as a show and, of course, the songs amplify our feelings in rhyme and rhythm, an unavoidable soundtrack of our memories.Read more

聽转讙讜讘讛 砖诇 讗诇讛 讙专讬谞讘讜诐 诇讬爪讬专转讛 砖诇 注谞讘诇 讗讜砖诪谉: M Stabat Mater

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爪讬诇讜诐 讗讬讬诇 诇谞讚住诪谉 “讗诐 诪讜讻转 讬讙讜谉 注讜诪讚转, 诪讜诇 讛爪诇讘 讘讜讻讛, 专讜注讚转, 砖诐 转诇讜讬 讬砖讜注 讘谞讛. 讗转 诇讘讛 讛诪转讬驻讞 诇讛讘 讛讻讗讘 驻讜诇讞, 诪讛 谞讜专讗 讛讜讗 讬讙讜谞讛. 诪讛 谞讜讙讛 讛讬讗, 诪讛 住讜讘诇转 讛拽讚讜砖讛, 讛讗诐 诇讬诇讚 讛讗讞讚 讜讗讬谉 讗讞专, 讛讻讜讗讘转, 讛讚讜讗讘转, 讛专讜注讚转 诇诪专讗讛讜 砖诇 讛讘谉 讛诪转讬住专.” 转专讙讜诐 砖诇 注讚讜 讗讘专讘讬讛 诇诪讬诇讜转 讛诪讝诪讜专 讛拽转讜诇讬 诪讛诪讗讛 讛13, 住讟讗讘讟 诪讗讟专.  Read more

诪讞砖讘讜转 注诇 注专讘住拽讛 砖诇 谞讜专 讙专讗讘诇讬 诪讗转 讗诇讛 讙专讬谞讘讜诐

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Five women from different cities, meet, travel in time, build a bridge between the past and the present and imagine the future. We are practicing collective work in a period of individualism. Dismantling, recreating and establishing the Palestinian dabke for ourselves. We are rewriting history and offering a new narrative; an exalted, female, political, collective and personal body.Read more

诪讞砖讘讜转 砖诇 讗诇讛 讙专讬谞讘讜诐 讘注拽讘讜转 壮讛讜诪讛壮 诪讗转 转诪专 讘讜专专

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聽 聽 聽 聽 聽 聽 聽 聽 聽 聽 聽 聽 聽 聽 聽 聽 聽 聽 聽 聽 聽 聽 聽 聽 聽 聽 聽 聽 聽 聽 聽 聽 聽 聽 聽 聽 聽 聽 聽 聽 聽 聽 聽 聽 聽 聽 聽 聽 聽 聽 聽 聽 聽 聽 聽Read more

诪讞砖讘讜转 砖诇 讗诇讛 讙专讬谞讘讜诐 讘注拽讘讜转 壮讻诇 讛谞讜讙注讬诐 讘讚讘专壮 诪讗转 讚驻讬 讗诇讟讘讘

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讛诇讘谞讬诐 讛谉 讗讜诇讬 诪讟讗驻讜专讛 诇讬住讜讚讜转 砖诇 讛注讘讜讚讛, 讗讜诇讬 驻讬住讜转 砖诇 注讘讜讚讛, 讗讜诇讬 驻讬住讜转 诪讬诇讬诐, 诪讬诇讬诐 讻讘讚讜转 讻诪讜 诇讘谞讬诐, 专讙砖讜转, 诪讛 砖讘讬谞讜 讜讘讬谞讛 讜讘讬谞讬谞讜, 讛讬爪讬专讛 讜讛拽讛诇 讜讛注讜诇诐.Read more