*צילום אסקף אברהם בערב תל אביבי גשום הצטופף קהל רב בתיאטרון תמונע. לא נותר כסא אחד פנוי. מחיאות הכפיים הסוערות, הצילומים האינטנסיביים וההתרגשות הגדולה בקרב היושבים לא השאירו מקום לספק: בני משפחה וחברים קרובים באו לראות את הבנות, האחיות והחברות שלהם עולות אחת אחת עלRead more
Maybe a dance piece is also a dance peace, as in – a way to make peace with Ori’s almost life-long relationship with dance. Peace and love. And here we come full circle, as dance is love through time and space.Read more
It seems the dancers created their own rules and it is fascinating. Throughout the piece they seem to be inviting us to discover and explore it. Is it their or the choreographer’s? Who determined the rules? And which rules were broken?Read more
The term “to run wild” means to grow unrestrained, undisciplined, like a wild animal or an imagination that isn’t held back by rules.Read more
מאיה מזמינה אותנו לעצום עיניים ולספור עד חמש, וכשפתחנו אותן, גילינו אוהל צבעוני מהלך על הבמה.
האמא כל הזמן מכניסה אותם בחזרה לאוהל, כמו מכנסת אותם אל חיקה. חיק האמא האוהבת והשומרת
עליהם מכל רע. מה שכל אמא רוצה לילדיה. לאהוב ולהגן.Read more
We have been debating extensively whether or not independent artists
should be punished/sanctioned for their country’s politics without being
able to reach a clear conclusion on the matter. Be that as it may, we
feel the atrocities committed in Palestine have not been sufficiently
sanctioned neither by the state of Norway or on the world stage, and
feel we need to take action. We feel it necessary to break all ties to
Israel and the ongoing attack on the people of Palestine. A unanimous
board has voted to withdraw your invitation to Bergen Fringe. Our
sincere apologies for how this decision affects you personally.Read more
Recently, while discussing the concept for a new piece with a colleague, she urged me not to give up on the physicality of the work. “You can say so much of what you want to say in text, but I want to see you trying to say it through movement, too,” she said.
It occurred to me that this is a good challenge to apply to my parenting and that the text/movement balance exists in my parenting as much as it does in my choreographic work.Read more
In live performance, every show is different. Every body is in a slightly different configuration each day, each person is in a unique mood during the show and there are all of the outside stimuli and conditions that influence the way things feel. A cold day can lead to a stiff performance and a sweltering day can garner a droopy one. Because dance is a form resting on the living body, not machines, it has to be infinitely flexible. It has to consider that no two days are the same and, as such, no two shows can be identical. What works one day won’t work the next.Read more
Through repetitive phrases, done countless times in different interpretations, Lechet splays out the intensity of life. When the piece comes to a close, I wondered how the dancers would get home as Lechet demands every ounce of energy they have, every breath and every heartbeat. And yet, within this extreme effort, the dancers appear to be truly enjoying themselves. They have found a freedom within the grind (choreographic) and that revelation is uplifting not only as a dance-lover but as a person who runs my own rat race day in and day out. Read more
