Creative Writing

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Re:Defining Re:Views

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Writer's Workshop

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Yoav Barel on Inspiration, Intimadance and Ahuva Ozeri

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I discovered the album “Ringing of Bells” by Ahuva Ozeri in a music store in the Malcha Mall fifteen years ago. The first listens flooded me with inspiration the intensity of which I had not experienced at that point. Two things were clear- the first that this was the material from which the subconscious is made, the second that one day this music would be the inspiration for an homage to Ahuva. Read more

On the Connection Between Pointe Shoes and Breastfeeding

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Both pointe shoes and breastfeeding were passing moments in my life. The first because I eventually realized that ballet wasn’t my future and the second because the need for it waned. But I look back at both and remember that we are often stronger than we think and can handle more than we believe, that pain doesn’t always mean you’re doing something wrong and that the lessons learned by the body stay with us for life.Read more

When Love Walked Out by Ori Lenkinski

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I don’t go out dancing anymore.
I used to.
There was a period when I was out dancing pretty often.
Nowadays I may find myself on a dancefloor here or there for a few minutes, at a wedding, at a festival, if the spirit truly moves me. But I don’t go out to dance.
There’s that joy, when you’re out dancing, of hearing a song that you like, singing along, seeing others belting out and watching that song charge the bodies around you.Read more

ALL CHILDREN ARE ARTISTS by Ori Lenkinski

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Before hitting first grade, most kids don’t read and write, at least not proficiently, they haven’t been exposed to mathematics or science, they don’t study history. They aren’t even really familiar with athletics. Their options for expression lie in the territories covered by art. Through the arts they are able to experiment with emotion, color, context, subtext and even violence. It is their voice in the world.Read more

Parent City by Ori Lenkinski

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When I became a mother, I came from the life of a freelancer. Both my professions, dance and journalism, are incredibly flexible. I was in and out of my house every day, spent hours in the studio with people I found inspiring and traveled abroad often. I could pop my laptop open literally anywhere and shoot off articles to my editor without ever setting foot in the newspaper’s office.Read more

L’avenir: The Secret Domain of Dancers

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The choreographer lives in the “future”, plans the performance, maps out the score, imparts it to their colleagues while the dancer exists in “l’avenir”. The dancer’s true potential, personality, artistry and will come to fruition in “l’avenir”, in the unknowable future. It cannot be rehearsed, foreseen, controlled. It is the chemical reorganization of atoms that occurs to a performer when met with an audience that propels the dancer into this mystifying state of what is to come.Read more