Creative Writing

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Re:Defining Re:Views

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Writer's Workshop

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An overarching theme of violence: Jan Fabre and abuse

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Six years ago, while participating in Jardin d’Europe’s Critical Endeavor at Impulstanz-Vienna  International Dance Festival, I watched Jan Fabre’s Preparatio Mortis. The performance, a solo made by Fabre for Annabelle Chambon, made a lasting impression on me. In fact, of the hundreds of dance works I have seen in the past decade, it is amongRead more

3 Quotes from 3 Simultaneous Workshops- Captured by Lee Nahat Shalom

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“…I suddenly understood that my whole life I was busy with looking out- as if I had only looked at the display window. Today, in order to see, I close my eyes and look inwards…”

“… When the doctor offered me a pill to make the shaking stop, I said ‘why? It’s a good thing to laugh about’…”
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A Conversation with Ohad Naharin about Kamuyot, Venezuela, Gaga and more

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Why did I call it Venezuela? Actually, I have two stories. I’ll tell you the first one, which is that when I wanted to give the work a name, I took a globe and I rolled it, I closed my eyes and put my finger down. And when I opened my eyes, it was Venezuela. That’s a good story. But that’s not the reason. I made it up. Read more

Diti Ronen on Dualism by Ido Gidron

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A ray of light passes between The two.

Presses side to side, head to head, body to body.

In the illusion of gender the struggle becomes clear, what is between her

And him? Between him and her? Between her and her?Read more