ื”ืคืกื™ื•ืŸ ืฉืœ ืžื™ื›ืืœ ื’ื˜ืžืŸ ืžืืช ื’ืณื ื™ ื‘ื™ืจื’ืจ

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This is a very different story than the ones we know, but perhaps itโ€™s the only one that dares to get close to the truth. A story that places primordial emotion center stage, and the yearning to draw near to it, where even failure becomes a kind of success. I leave the performance moved by a work of art that continues, with devotion and faith, to try to return to the beginning of things.ย Read more

Heather DeAtley’s Reflections on ‘Landscapes of Gold’ by Sharon Fridman

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A gold piece of aluminum-plastic like material meanders playfully into the performance space. The kids in the audience, including my munchkins, are fully engaged with this mysterious entity as it makes its magical entrance. Hidden within the globule of gold are the wonderful dancers Noa Chen and Dikla Rejevsky. Noa emerges first with wondrous elasticity and fluid movements.Read more

Heather DeAtley’s Musings on ‘Home Work’ by Maya Brinner

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Maya Brinnerโ€™s beautiful piece, ‘Home Work,’ embodies every sense of this learning curve while weaving motherhood into the tapestry seamlessly. We learn to dance by dancing. We learn to mother by mothering. Weโ€™re all in this delicious state of learning.Read more

ืชื’ื•ื‘ืชื” ืฉืœ ืขื“ืŸ ืงืจืžืจ ืœืณื ื•ืคื™ื ืฉืœ ื–ื”ื‘ืณ ืžืืช ืฉืจื•ืŸ ืคืจื™ื“ืžืŸ

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This is a dance performance for children that is exactly what it should be: simple, beautiful, and intelligent. It is a show that treats children as the intelligent beings they are, and does not compromise on high standards of movement and material.Read more

ืขื›ืฉื™ื• ืขื›ืฉื™ื•! ื“ื•ื•ืงื ืขื›ืฉื™ื•! ื‘ืžื™ื•ื—ื“ ืขื›ืฉื™ื•!ย – ืจืฉืžื™ื ืฉืœ ื’’ื ื™ ื‘ื™ืจื’ืจ ื‘ืขืงื‘ื•ืช ืฆืคื™ื™ื” ื‘”ืื”ื‘ื” ืžื•ืกื™ืงื” (ืขื›ืฉื™ื•!)” ืžืืช ืœื”ืงืช ื™ืกืžื™ืŸ ื’ื•ื“ืจ ื•ื“ืงืœื”

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Itโ€™s hot and humid, stifling in every sense, and it feels that especially now Yasmeen Godder and Diklaโ€™s audacious creation brings us back to that primal connection of dance, singing and playing music..Read more

ืจืฉืžื™ื ื‘ืขืงื‘ื•ืช ืฆืคื™ื™ื” ื‘”ื”ืœืš ืจื•ื—” โ€“ ื“ื•ืื˜ ืžื—ื•ืœ ืžืฉื•ืœื‘ ื”ืจืฆืื” ื—ื•ื•ื™ื™ืชื™ืช ืขืœ ืคืขื•ืœืช ื”ื”ืœื™ื›ื” / ืžืืช ื˜ืœื™ ื–ื‘ื™ืœื‘ื™ืฅ’ (ื‘ื”ืฉืชืชืคื•ืช ืจื•ื ื™ ื”ืœืจ)

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Tali Zavilevichโ€™s ‘Mindset’ parses out for the audience a vast swath, allowing us a peek into the hidden stories inside each step. The overall experience of this show was of a fascinating evening full of sensations, which accompanied me on my walk home.Read more

ืจืฉืžื™ื ืฉืœ ื’’ื ื™ ื‘ื™ืจื’ืจ ื‘ืขืงื‘ื•ืช ืขืจื‘ ืžืฉื•ืชืฃ: ืกืชื™ื• ืกื˜ืจื•ื– ื‘ื•ื˜ืจื•ืก | ื“ื•ืื˜ ืžื ื“ื–ื™ืœื™ย 

ืจืฆื” ื”ื’ื•ืจืœ ื•ื”ืชื•ื›ื ื™ื•ืช ืฉืœื™ ืœืื•ืชื• ืขืจื‘ ื—ืžื™ืฉื™ ื‘ืชื—ื™ืœืช ืžืื™ ื”ืชื‘ื˜ืœื•, ื•ื’ื ื”ืขืจื‘ ืขืฆืžื• ืฉื™ื ื” ืืช ืคื ื™ื• ื‘ื’ืœืœ ืคืฆื™ืขื” ืฉืœ ืื—ื“ ื”ืจืงื“ื ื™ื. ื•ื›ืš, ื‘ืžืงื•ื ืœืจืื•ืช ื™ืฆื™ืจืช ืžื—ื•ืœ ืงื‘ื•ืฆืชื™ืช ืฉืœ ืกืชื™ื• ืกื˜ืจื•ื– ื‘ื•ื˜ืจื•ืก, ื”ื”ื–ืžื ื” ื”ื™ื™ืชื” ืœืฆืคื•ืช ื‘ืกื•ืœื• ืฉืœื” ื‘ืฉื “ืกืคื™ื”” ื•ื“ื•ืื˜ ืžื•ื–ื™ืงื” ื’ืื•ืจื’ื™ืช ืžืกื•ืจืชื™ืช ื‘ืฉื “ืžื ื“ื–ื™ืœื™”. ื™ื“ืขืชื™ ืžืขื˜ ืžืื“ ืขืœ ืฉื ื™ ื—ืœืงื™ ื”ืžื•ืคืข, ื•ื”ืคืขื ื–ื” ื”ื™ื” ืžื“ื•ื™ืงRead more

ืจืฉืžื™ื ืฉืœ ื’’ื ื™ ื‘ื™ืจื’ืจ ื‘ืขืงื‘ื•ืช ืขืจื‘ ืžืฉื•ืชืฃ: ืกืชื™ื• ืกื˜ืจื•ื– ื‘ื•ื˜ืจื•ืก | ื“ื•ืื˜ ืžื ื“ื–ื™ืœื™

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*ืฆื™ืœื•ื ื–ื•ื”ืจ ืจื•ืŸ ืจืฆื” ื”ื’ื•ืจืœ ื•ื”ืชื•ื›ื ื™ื•ืช ืฉืœื™ ืœืื•ืชื• ืขืจื‘ ื—ืžื™ืฉื™ ื‘ืชื—ื™ืœืช ืžืื™ ื”ืชื‘ื˜ืœื•, ื•ื’ื ื”ืขืจื‘ ืขืฆืžื• ืฉื™ื ื” ืืช ืคื ื™ื• ื‘ื’ืœืœ ืคืฆื™ืขื” ืฉืœ ืื—ื“ ื”ืจืงื“ื ื™ื. ื•ื›ืš, ื‘ืžืงื•ื ืœืจืื•ืช ื™ืฆื™ืจืช ืžื—ื•ืœ ืงื‘ื•ืฆืชื™ืช ืฉืœ ืกืชื™ื• ืกื˜ืจื•ื– ื‘ื•ื˜ืจื•ืก, ื”ื”ื–ืžื ื” ื”ื™ื™ืชื” ืœืฆืคื•ืช ื‘ืกื•ืœื• ืฉืœื” ื‘ืฉื “ืกืคื™ื”” ื•ื“ื•ืื˜ ืžื•ื–ื™ืงื” ื’ืื•ืจื’ื™ืช ืžืกื•ืจืชื™ืช ื‘ืฉื “ืžื ื“ื–ื™ืœื™”. ื™ื“ืขืชื™ ืžืขื˜ ืžืื“ ืขืœ ืฉื ื™ ื—ืœืงื™ ื”ืžื•ืคืข, ื•ื”ืคืขืRead more

ื”ืžืฉื—ืง ื”ื‘ืœืชื™ ืฆืคื•ื™- ืžื—ืฉื‘ื•ืช ืฉืœ ืœื™ื–ื” ืคื•ื˜ืจืžืŸ ืขืœ ืณืžืคื’ืฉื™ื ืฉืœ ื ื•ื›ื—ื•ืช ืจื›ื”ืณ

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ืื™ืœื ื™ืช ืžื–ืžื™ื ื” ืื•ืชื ื• ืœื”ื‘ื™ื ืœืžื•ื“ืขื•ืช ืฉ”ืœืžืขืฉื” ืื™ืžืคืจื•ื‘ื™ื–ืฆื™ื” ื–ื” ืžืฉื”ื• ืฉื›ื•ืœื ื• ืขื•ืฉื™ื ืื‘ืœ ื‘ืœื™ ืžื•ื“ืขื•ืช” ื•ื™ื•ืชืจ ืžื›ืš, ืฉ”ืื™ืžืคืจื•ื‘ื™ื–ืฆื™ื” ื”ื™ื ืœืžืขืฉื” ื”ืชืฉืชื™ืช ืฉืœ ื”ื—ื™ื™ื ืฉืœื ื•.” ื”ื—ื™ื™ื ืฉืœื ื•, ืื™ื–ื” ื“ื‘ืจ ื’ื“ื•ืœ ื–ื”, ืื– ื›ืŸ ืื•ืœื™ ื‘ืืžืช ื™ืฉ ืฉื ืžื™ื“ื” ืฉืœ ื—ื™ืจื˜ื•ื˜ ืื‘ืœ ืœื ืจืง, ื”ืจื™ ืฉ”ื›ืœ ืคืขื•ืœื” ืฉืžืขืจื‘ืช ืื™ืžืคืจื•ื‘ื™ื–ืฆื™ื” ื›ื•ืœืœืช ื—ืฉื™ื‘ื” ื•ืžืคืชื—ืช ื™ืฆื™ืจืชื™ื•ืช” ื›ืžื• ื”ื—ื™ื™ื ืขืฆืžื, ืœื?ย Read more