转讙讜讘讛 砖诇 讗诇讛 讙专讬谞讘讜诐 诇壮讛讗专讚拽讜专 [专讬拽讜讚 讛讗讜专]壮 诪讗转 转诪讬 诇讬讬讘讜讘讬抓

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The dancers and musicians carry us with their voices toward a moment of transcendence. It feels as though the entire theater is washed in the colors of their voices, a moment of tenderness that stands in quiet contrast to the sounds of gunfire.Read more

讘”讟注诪讬诐”, 讛讻讜专讬讗讜讙专驻讬转 讗讬诇谞讛 讘诇住谉 诪讝诪讬谞讛 讗讜转谞讜 诇砖讛讜转 讗讬转讛 讘转讜讱 拽专注 讘讝诪谉

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Bellahsen presented a female body that refused easy access: it concealed itself beneath shrouds, hid behind dark sunglasses, disappeared beneath grey bodysuits and repeatedly obscured itself with black and white liquids. This was a body that chose to make itself visible while resisting complete legibility. Read more

聽转讙讜讘讛 砖诇 讗诇讛 讙专讬谞讘讜诐 诇讬爪讬专转讛 砖诇 注谞讘诇 讗讜砖诪谉: M Stabat Mater

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爪讬诇讜诐 讗讬讬诇 诇谞讚住诪谉 “讗诐 诪讜讻转 讬讙讜谉 注讜诪讚转, 诪讜诇 讛爪诇讘 讘讜讻讛, 专讜注讚转, 砖诐 转诇讜讬 讬砖讜注 讘谞讛. 讗转 诇讘讛 讛诪转讬驻讞 诇讛讘 讛讻讗讘 驻讜诇讞, 诪讛 谞讜专讗 讛讜讗 讬讙讜谞讛. 诪讛 谞讜讙讛 讛讬讗, 诪讛 住讜讘诇转 讛拽讚讜砖讛, 讛讗诐 诇讬诇讚 讛讗讞讚 讜讗讬谉 讗讞专, 讛讻讜讗讘转, 讛讚讜讗讘转, 讛专讜注讚转 诇诪专讗讛讜 砖诇 讛讘谉 讛诪转讬住专.” 转专讙讜诐 砖诇 注讚讜 讗讘专讘讬讛 诇诪讬诇讜转 讛诪讝诪讜专 讛拽转讜诇讬 诪讛诪讗讛 讛13, 住讟讗讘讟 诪讗讟专.  Read more