The greatness of a personal work, in my eyes, lies in its ability to touch even those who are far from its direct contexts. Podium does this wisely, and invited me to examine my relationship with rules, with the constant search for the firm hand and for excellence that are paired together in my imagination.Read more
Throughout the work, the four performers repeatedly toy with the idea of transmuting thoughts into language; of expressing dance with words and vice versa; of making their inner and private dialects not only heard but understood by others โ be it a dancer interpreting the choreographerโs score, a dancer reacting to a fellow dancer on stage or a dancer communicating her sensations and thoughts with the audience through words or movements.
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Tula Ben Ari, a singer of Yemenite and Polish descent, decided to step into the very large shoes of Ofra Haza and did so with great success in this performance.
She did not try to imitate Ofra Hazaโs singing. Her voice was deep, strong, present, enveloping the entire space with its power and resonating into the fibers of the soul.Read more
*photo Laetitia Boulud Who let the dogs out? ื ืืืืืช ืืืืื ืืืืฉื ืืืืื ืืฉ ืฆืืื ืฉื ืจืืืืช ืงืจืืช ืืื ืืกืืคืช ืฉืื, ืืงืื ืืจืืืง ืืืื. ืืืื ืื ืืจืงืืืงื. ืืงืื ืฉืจืื ืืื ืื ืืจืื ืื. ืืืืช ืฉื ืืืจ ืืืืืช ืืืขื ืืืืื. ืืื ืืืจ ืขืฉืื ืืืคืจืงืื ืืชืคืจืงืื, ืืืืจ ืืืชื ื ืืจื ืืืืฃ ืฉืื. ืืจื ืงืืืื ืืจืืืื ืื ืฉืืจืื ืฉื ืชื ืืขื. ืืืืช ืฉืRead more