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Who leads and who follows? In *Sex Dream* by Oliv Who leads and who follows? In *Sex Dream* by Olivia Court Mesa, created in collaboration with Yochai Ginton, the boundaries between control and surrender, fantasy and reality begin to blur. Ella Greenbaum reflects on pleasure, sexuality, and the female perspective, exploring the power of leading, being led, and allowing oneself the freedom to discover. Read the full essay in Hebrew and English on Creative Writing. Link in bio. Photography: Efrat Mazor
How do our bodies adapt to absence? What happens w How do our bodies adapt to absence? What happens when we learn to move around what is no longer there? In her essay In Constant Motion: Dancing Around the Absence, Joy Bernard moves between a loose floor tile, a Feldenkrais lesson, and the work of Gordon Matta-Clark to reflect on the ways our bodies accommodate loss, change, and the spaces we inhabit. Read the full essay in English and Hebrew on Creative Writing. Link in bio.
⁨ לא רק לכתוב על מחול, אלא לפתוח דרכו שיחה. כמה מ ⁨ לא רק לכתוב על מחול, אלא לפתוח דרכו שיחה. כמה מחשבות על הגישה שלנו ב־Creative Writing, מתוך פאנל חגיגי לציון גיליון ה־50 של ״מחול עכשיו״. תודה לרות אשל על ההזמנה ועל עשרות שנים של עשייה למען השיח על מחול. ❤️⁩ ותודה ליוליה על הצילום!
🔦 SPOTLIGHT #4: EFRAT MAZOR What does the camera 🔦 SPOTLIGHT #4: EFRAT MAZOR What does the camera reveal that the eye cannot see? For more than a decade, Efrat Mazor has been documenting Israeli dance, capturing fleeting moments and building an extraordinary visual archive of the field. A former dancer herself, Efrat approaches photography with an embodied understanding of movement, an openness to the unexpected, and a deep sense of responsibility toward the artists whose work she documents. For Spotlight #4, we spoke with Efrat about the art of looking, learning to trust her intuition, and what happens when photographing a performance becomes an immersive experience of its own. Read the full interview in English and Hebrew at creativewriting.me. Link in bio. 📸 Efrat Mazor
What an amazing morning at @indnegev with @shiwabi What an amazing morning at @indnegev with @shiwabiwa , @carmen_elmakiyes_amos , @orilenkinski and @albi__world ! Inspired by philosopher Emmanuel Levinas’s concept of The Other, we came together to talk, write and reflect on encounters with others, responsibility and the ways we relate to one another. A music festival feels like the perfect setting for this kind of conversation. A chance to step outside our everyday routines, encounter different perspectives and open ourselves to new ways of thinking. It was especially moving to hear people from the audience share their own writing, adding their voices and experiences to the conversation. Thank you to everyone who joined us and to Albi and InDNegev for the collaboration.
איך אנחנו מזהים את האחר דרך הגוף, עוד לפני שמילים איך אנחנו מזהים את האחר דרך הגוף, עוד לפני שמילים נכנסות לתמונה? ב״מפגש בין-גופי״, שירה שודרון (שיווה ביווה) כותבת על תנועה, תפיסה ועל האופן שבו הגוף מאפשר לנו לחוות ולהבין את האחר מעבר לשפה ולדיבור. הטקסט נכתב במסגרת שיתוף הפעולה של Creative Writing ואלבי בפסטיבל inDnegev, בהשראת תפיסת ״האחר״ של הפילוסוף עמנואל לוינס. לקריאת הטקסט המלא ולצפיה ביצירת אנימציה Transan-dance של שירה, לינק בביו.
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התרשמות של יוליה פריידין מהמופע ‘שקט בקופסא (שחורה)’ מאת איסק צ’וקרון ושחר חנין

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The entire performance feels like an ongoing investigation, almost childlike in its curiosity.Read more

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