I could feel all of the thought Dadon put into that bag of popcorn and its torrid interaction with the silvery microwave. I could imagine him planning the coming action, the popcorn bag handed gently to the audience member seated closest to the stage and the slow journey it would make through the crowd, delighting each and every viewer with one, perfect, buttery kernel. What a wonderful addition that would make to the UX of the piece.Read more
‘…Laughing is the closest thing to crying, when laughter is genuine I believe there are values in what generates it.’Read more
‘3 white dresses, 5 white shirts, 5 pair of black trousers, nearly 200 light bulbs hanging, different languages spoken, eight performers.Read more
Creative Writing is honored to collaborate with the Suzanne Dellal Center, bringing the voices of the guests of International Exposure to website. Read more
Elad Schechter catches a quick chat with Iris Erez about the crazy day leading up to her performance of Locally in the Between Heaven and Earth Festival.Read more
Neta Pulvermacher considers the importance of storytelling in response to Ma’ayan Horesh’s What Happened to Cain? and Idan Cohen’s Orfeo in the Between Heaven and Earth Festival. Read more
Annabelle Dvir is sent on an associative journey following the performance of Curtain 2: Always is Here by Adi Boutrous and SCARABEO: Angles and the Void by Andrea Costanzo Martini. *Text in Hebrew.Read more
A list of thoughts regarding Adi Boutrous’ Always is Here and Andrea Costanzo Martini’s SCARABEO: Angles and the VoidRead more
Nir Degani’s response to Curtain 4: Sahar Damoni’s Pirgi’in and Asaf Aharonson’s What’s to Come. Read more
Tamar Lamm’s photo response to Curtain 4: Asaf Aharonson’s What’s to Come. Read more