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Writer, performer and poet Yossi Zabari responds t

Writer, performer and poet Yossi Zabari responds to 'I Am Ahmad' (1966), one of Ram Loevy's earliest films.

Part of a collaboration between ALBI and Creative Writing, seven artists were invited to engage with Loevy's body of work and craft original responses.

Read the full text on Creative Writing.

#RamLoevyWasRight #ALBI #CreativeWriting

Ram Loevy asked difficult questions. Questions ab

Ram Loevy asked difficult questions.

Questions about power.
Questions about memory.
Questions about responsibility.
Questions that continue to echo long after the credits roll.

In partnership with Albi, seven artists were invited to spend time with Loevy's films and respond through the Creative Writing process.

The result is not a retrospective.

It is a conversation.

Six films.
Seven artists.
Seven responses.

Read them all.
Link in bio.

"Both works powerfully express the emotions we’ve

"Both works powerfully express the emotions we’ve all been carrying through this past month and more: anxiety, terror, helplessness, the attempt to survive inside all this darkness."

Read Ella Greenbaum's reflections on 'Separations / Dome' by Roni Chadash and Bosmat Nossan for The Batsheva Ensemble at the link in our bio.

Photo by Ascaf.
In photo- 'Dome' by Bosmat Nossan

Introducing SPOTLIGHT 🔦 A new Creative Writing se

Introducing SPOTLIGHT 🔦

A new Creative Writing series that highlights artists behind the scenes.

SPOTLIGHT #1 features videographer
Daniel Pakes.

Read the full interview on Creative Writing.

#Dance #DancePhotography #DanceVideography #ContemporaryDance #IsraeliDance #Performance #CreativeWriting

…each choreographer speaks a distinct language. We

…each choreographer speaks a distinct language. We often call this “movement language,” but it extends beyond steps to every choice a work contains: dancers, music, costumes, composition, props, design. Together, these elements form a syntax, a way of speaking.

And while in life I have only one mother, in dance I have had many mothers and fathers. These are the artists whose work shaped my understanding of what the stage is and what a performative act can hold. The ones who influenced how I “speak” today were those who allowed me to walk through their creative worlds, absorbing fragments of vocabulary along the way.”

New post in Parental Choreography by @orilenkinski.

Link in bio.

KID'S CORNER! "'Popalinda in the Kingdom of Imagi

KID'S CORNER!

"'Popalinda in the Kingdom of Imagination' is a dance-theater work for children, but first and foremost it is a work of the body. Adi Eytan as Popa and Shachar Dolinsky as Roberto, inspired by Mary Poppins and Bert (a wink also to the parents’ generation), create movement work that both children and adults can enjoy."

Read Eden Kramer's response to 'Popalinda in the Kingdom of Imagination' by Shlomit Fundaminsky (in Hebrew and English) at the link in our bio.

Photo by Natasha Shaknes

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Yulia Frydin on Project 48- Day 1

Galloping on stage
Like a wild horse
In a danced
Fashion
ProcessionRead more

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