The word I take with me from Crescendo Gold,聽Annabelle Dvir’s work that I saw at Habait Theater, is: power. If I had to summarize the performance in one sentence, I鈥檇 describe it as a ritual of a tribe of warrior women, wolves, demons, witches.Read more
It鈥檚 hot and humid, stifling in every sense, and it feels that especially now Yasmeen Godder and Dikla鈥檚 audacious creation brings us back to that primal connection of dance, singing and playing music..Read more
*爪讬诇讜诐 讗讛讜讚 诪诇诪讚 讛讗讜专 谞讚诇拽 注诇 专拽讚谞讬转 讗讞转, 讛讬讗 诪砖讞拽转 讘诪砖讛讜 砖讗讬谞讜. 讛讬讗 诪专讬诪讛 讗讜转讜, 诪讜住专转 讗讜转讜 讜转讜驻住转, 诪专讬诪讛 讗讜转讜 讙讘讜讛 讬讜转专. 讗转讛 讞讜砖讘 砖讝讜 拽讜驻住讛, 讗讜 讗讜诇讬 讻讚讜专, 讗讘诇 讛讜讗 诪砖转谞讛 讘讬谉 讬讚讬讛 讜讗讬谞讜 讗祝 讗讞讚 诪讛诐. 诪住讘讬讘讛 讗讙诐 注砖讜讬 砖诪讬讻讜转 讻讞讜诇讜转 专讻讜转, 驻住谞转专 砖注讜诪讚 讬转讜诐 诪讗讞讜专讬讛. 讗转讛 诪谞住讛 诇讝讛讜转, 讗讘诇 讛讜讗 诪砖转谞讛 诪诪讜爪拽Read more
专爪讛 讛讙讜专诇 讜讛转讜讻谞讬讜转 砖诇讬 诇讗讜转讜 注专讘 讞诪讬砖讬 讘转讞讬诇转 诪讗讬 讛转讘讟诇讜, 讜讙诐 讛注专讘 注爪诪讜 砖讬谞讛 讗转 驻谞讬讜 讘讙诇诇 驻爪讬注讛 砖诇 讗讞讚 讛专拽讚谞讬诐. 讜讻讱, 讘诪拽讜诐 诇专讗讜转 讬爪讬专转 诪讞讜诇 拽讘讜爪转讬转 砖诇 住转讬讜 住讟专讜讝 讘讜讟专讜住, 讛讛讝诪谞讛 讛讬讬转讛 诇爪驻讜转 讘住讜诇讜 砖诇讛 讘砖诐 “住驻讬讛” 讜讚讜讗讟 诪讜讝讬拽讛 讙讗讜专讙讬转 诪住讜专转讬转 讘砖诐 “诪谞讚讝讬诇讬”. 讬讚注转讬 诪注讟 诪讗讚 注诇 砖谞讬 讞诇拽讬 讛诪讜驻注, 讜讛驻注诐 讝讛 讛讬讛 诪讚讜讬拽Read more
Five women from different cities, meet, travel in time, build a bridge between the past and the present and imagine the future. We are practicing collective work in a period of individualism. Dismantling, recreating and establishing the Palestinian dabke for ourselves. We are rewriting history and offering a new narrative; an exalted, female, political, collective and personal body.Read more