Not Your Average Improvisation: Thoughts on Noa Shadur’s ‘Magnolia’ by Ori Lenkinski

post image

The pace of the work is relentless, transitioning from one rhythm to another, one pattern to the next, one dancer leading switched out for another. The dancers show no signs of listening for cues. Instead, they appear telepathically connected, pivoting and exchanging material with uncanny precision. Improvisational impulses are woven into a tightly organized, ever-shifting and unpredictable structure.Read more

Reflections on Julyen Hamilton’s ‘Koan- For Our Times’ by Ori Lenkinski

post image

For a self proclaimed selfish bastard, Hamilton is one of the most gracious and generous people I have ever seen on stage.Read more

ืจืฉืžื™ื ืฉืœ ืœื™ื–ื” ืคื•ื˜ืจืžืŸ ืขืœ ืดื’ื‘ืจื™ื ืžื“ื‘ืจื™ืืด

post image

ื”ืžื•ืคืข ื ืคืชื— ื‘ืื•ื•ื™ืจื” ืฉื‘ื˜ื™ืช: ื’ื‘ืจื™ื ื‘ื—ื•ืœืฆื•ืช ื•ืจื•ื“ื•ืช ืขื•ืœื™ื ืœื‘ืžื” ืœืžื•ืคืข ืืœืชื•ืจ ื‘ืงื•ืœ ืชื ื•ืขื” ื•ื ื’ื™ื ื”. ื›ืจื’ืข ืขื•ื“ ืื™ืŸ ืžื™ืœื™ื. ื‘ืฉืœื‘ ื–ื” ื ื™ื›ืจ ื›ื™ ื™ืฉ ืžืฉื—ืง ืขืœ ื”ืกื˜ืจื™ืื•ื˜ื™ืค ืฉืœ ื’ื‘ืจ ื›ื™ืฆื•ืจ ืคืจื™ืžื™ื˜ื™ื‘ื™, ื’ื ืื ื”ื•ื ืคืจื•ื’ืจืกื™ื‘ื™ ื‘ื”ืขื–ื” ืฉืœื• ืœืœื‘ื•ืฉ ื•ืจื•ื“, ืœื“ื‘ืจ ื”ื•ื ืœื ืžื“ื‘ืจ, ื‘ื˜ื— ืœื ืื™ืš ืฉื”ื•ื ื ื“ืจืฉ ืœื“ื‘ืจ ืขืœ ื‘ืžื” ื‘ืžืขืžื“ ืฉืœ ืžื•ืคืข. ื‘ืจื’ืข ืžืกื•ื™ืRead more

ื”ืžืฉื—ืง ื”ื‘ืœืชื™ ืฆืคื•ื™- ืžื—ืฉื‘ื•ืช ืฉืœ ืœื™ื–ื” ืคื•ื˜ืจืžืŸ ืขืœ ืณืžืคื’ืฉื™ื ืฉืœ ื ื•ื›ื—ื•ืช ืจื›ื”ืณ

post image

ืื™ืœื ื™ืช ืžื–ืžื™ื ื” ืื•ืชื ื• ืœื”ื‘ื™ื ืœืžื•ื“ืขื•ืช ืฉ”ืœืžืขืฉื” ืื™ืžืคืจื•ื‘ื™ื–ืฆื™ื” ื–ื” ืžืฉื”ื• ืฉื›ื•ืœื ื• ืขื•ืฉื™ื ืื‘ืœ ื‘ืœื™ ืžื•ื“ืขื•ืช” ื•ื™ื•ืชืจ ืžื›ืš, ืฉ”ืื™ืžืคืจื•ื‘ื™ื–ืฆื™ื” ื”ื™ื ืœืžืขืฉื” ื”ืชืฉืชื™ืช ืฉืœ ื”ื—ื™ื™ื ืฉืœื ื•.” ื”ื—ื™ื™ื ืฉืœื ื•, ืื™ื–ื” ื“ื‘ืจ ื’ื“ื•ืœ ื–ื”, ืื– ื›ืŸ ืื•ืœื™ ื‘ืืžืช ื™ืฉ ืฉื ืžื™ื“ื” ืฉืœ ื—ื™ืจื˜ื•ื˜ ืื‘ืœ ืœื ืจืง, ื”ืจื™ ืฉ”ื›ืœ ืคืขื•ืœื” ืฉืžืขืจื‘ืช ืื™ืžืคืจื•ื‘ื™ื–ืฆื™ื” ื›ื•ืœืœืช ื—ืฉื™ื‘ื” ื•ืžืคืชื—ืช ื™ืฆื™ืจืชื™ื•ืช” ื›ืžื• ื”ื—ื™ื™ื ืขืฆืžื, ืœื?ย Read more