诪讞砖讘讜转 砖诇 注讚谉 拽专诪专 注诇 讛专诪转 诪住讱- 诪住讱 1

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诪转讜讱 状诪讘讜住住 注诇 住讬驻讜专 讗诪讬转讬状 诪讗转 诪注讬谉 诇讬讘诪谉-砖专讜谉 爪讬诇讜诐 讬讗讬专 诪讬讜讞住 *English Follows 讗诪谞讜转 讘讝诪谉 诪诇讞诪讛 讛讬讗 诇讗 砖讗诇讛 讞讚砖讛. 讛讬讗 谞砖讗诇讛 驻注诪讬诐 专讘讜转 讘讛讬住讟讜专讬讛 砖诇 讛讗诪谞讜转 讜讗祝 讛讜诇讬讚讛 转谞讜注讜转 讗诪谞讜转讬讜转 砖谞讬住讜 诇讛转诪讜讚讚 注诐 讛诪爪讬讗讜转, 讗讜 注诐 讞讜住专 讛讗讜谞讬诐 诇谞讜讻讞 讛诪爪讬讗讜转. 讝讗转 砖讗诇讛 砖诪注住讬拽讛 诇讗 专拽 讬讜爪专讬诐, 讗诇讗 讙诐 讗转 讛拽讛诇 砖砖讜讗诇 讗转 注爪诪讜: 讛讗诐Read more

Annabelle Dvir on Curtain 2: Adi Boutrous and Andrea Constanzo Martini

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Annabelle Dvir is sent on an associative journey following the performance of Curtain 2: Always is Here by Adi Boutrous and SCARABEO: Angles and the Void by Andrea Costanzo Martini. *Text in Hebrew.Read more

Ori Lenkinski on Curtain 2: Adi Boutrous and Andrea Costanzo Martini

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A list of thoughts regarding Adi Boutrous’ Always is Here and Andrea Costanzo Martini’s SCARABEO: Angles and the VoidRead more

CW @CurtainUp 2016

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After a thought-provoking collaboration with Project 48, CW will pair up with the Curtain Up Festival. Two members of the CW circle will attend each of the four “curtains” and will publish their response here. More to come soon!  Read more