谞讜驻诇讜转, 诪转注诇讜转, 砖讜专讚讜转: 讘-“讞砖讜祝 注诇 讞诇讜讚讛” 讬住诪讬谉 讙讜讚专 讜诇讛拽转讛 专讜拽讚讜转 讘诪爪讜诇讜转 诪讗转 讙’讜讬 讘专谞专讚

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It is clear to me even from this opening image that this time Godder is not inviting us to a party, as in “Shout Aloud,” her company’s previous show created in collaboration with the singer Dikla, which was a showcase of explosive and sensual feminine energy. Nor is she withdrawing inward with the same fragility that characterized “Practicing Empathy 3.” No, this time Godder is leading us through the gates of the underworld, deep into a universe of feminine lamentation and illusion.Read more