Erez Kashi captures Shamel Pitts and Mirelle Martins in Black Velvet.Read more
How simple it is to release
The foreheard the eyebrows the temples
The neck the crown
The mouth the jaws.Read more
Ravel’s triangle is uneven.
It moves from side to side
Then forwards and back, reorganizing the space.Read more
I see red, I see blue
I understand nude.
Cope and I will too.
This couple from Taiwan are incredible. A (certain) technique that is truly grand. I don’t discount it for even a second. I understand the significance of this physicality. It must be said that technique is important, there is nothing like it, it protects the dancer from countless things, moves the dancer and the observer. Technique comes into my body when I use it, sometimes it can become my language, which is not a bad thing. It is something I am aware of. But sometimes it sneaks in like heavy sleep on a long train ride. Read more
דיתי רונן על חיתוך.דיבור מאת סתיו מרין ונטע וינר מִי אוֹחֵז בְּצַוָּארוֹ שֶׁל מִי מִי חוֹנֵק אֶת מִי מִי סוֹתֵם אֶת פִּיו שֶׁל מִי מִי מְקָּרְבֵּן אֶת שֵׂה הָאִשָּׁה. סַכִּינִים נִזְרָקִים לָרִצְפָּה מִי פָּגַע בְּמִי פָּגַע בִּי בָּךְ בְּךָ קָהָל עַל שְׂפַת הַמִּזְרוֹן הַצָּהֹב מַתְחִיל קְרַב מַגָּע. הָאָקוֹרְדְּיוֹן הַהוֹדִּי נוֹהֵם אֶת עַרְפֶל הַזּוּגִיּוֹת. בּוֹא כְּמוֹRead more
Association: one of the greatest forms of response. Read more
There is something in the femininity that is enough where you tried to be free and joyful, spontaneous and feminist.
There is a femininity that I adopted because I had no choice.
There is something in this creation that a woman made.
Here is a story of a man
It is easy to say “we should have seen this coming”. We should have and maybe we did. We saw it coming. We knew, somewhere, what the outcome would be. But we chose to forget. We chose to skip the forgiveness part, to jump straight to the collective loss of memory.Read more