Dear Art of Breaking (FREE) by Olga German

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You are a dance style
with a name that sounds like destruction, but you only destroy obstacles and fears.
You are an art form contradicting limits and always inspiring to go for more.
I think I love you for many things. But I really appreciate that you always accept
me the way I am and push me to leave the comfort zone. Well, over the past 3 years,
that comfort zone never found me. And it is a gift.Read more

bODY rEMIX rEWOUND – on performing the same work fourteen years later by Kimberley De Jong

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I think the major opinion about returning to work as a dancer after maternity leave is that we become less hireable and that our bodies change for the worse. A big question employers ask is “how will these mother/dancers ever manage a tour life with children”? I understand these worries and to say I never had them would be lying. But how are we supposed to overcome certain beliefs if we believe them ourselves?Read more

Dear Dance by Noelle Ruggieri

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Dance, I need you to know you are my one and only, and
I will keep trying. If you could only see how much I love you, I know you’d love me back. I
want you to be devoted to me, like how I am devoted to you. I don’t want to be your side piece
anymore. I think I deserve more.Read more

The (de)Sexualized Body on Stage by Ori Lenkinski

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In the same week, I attended performances of 2019 by Batsheva Dance Company and Shira Eviatar and Hadar Ahuvia’s Possessing. As an audience member, my reflections on these shows were influenced by the juxtaposition of the two in my mind. After all, audiences always bring the past experiences into the theater, superimposing what they haveRead more

DOUBLETAKE of Carnations by Ronit Ziv- צפייה חוזרת בציפורנים מאת רונית זיו

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In a repeat viewing of the legendary Carnations by Pina Bausch (my first was in Caesarea many years ago, 1991?), I observe as one views a postcard sent from relatives in a distant country. It’s beautiful there but chilly. The essential element is missing, the thing that always characterized Pina Bausch’s works. The essential, for me, is the moment in which the action on stage floods out into the audience, threatens, keeps me up at night and makes me identify with the characters/dancers and to worry about their physical emotional well-being.Read more

רְשָׁמִים עַל הַמּוֹפָע “לוֹקָאלִי” בְּבִצּוּעַ אִירִיס אֶרֶז מאת יוליה פריידין

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זֶה הֲכִי לוֹקָאלִי הַדֶּרֶךְ הַזֹּאת לסוזן דָלָל.

לֹא-קַל-לִי בִּכְלָל.

וּבֶטַח גַּם לָהֶם לֹא.

וְגַם לְאִירִיס שֶׁכְּבָר מְחַכֶּה עַל הַבָּמָה,

וּתְסַפֵּר לָנוּ בַּגּוּפָה עַל הַמְּקוֹמִיּוֹת.

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Feel (Write) the Love!- An Open Call for Love Letters

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If you were to write a letter to something or someone dance related, who would it be to? A performer who changed the way you saw life? A piece that rocked you to your core? A choreographer that inspired you to throw caution to the wind and pursue a career on stage?

Creative Writing invites you to take a moment to gush, dwell, fantasize and swoon over a particular something that tickled you pink. Sit down, write them a love letter. We want to publish it! Let’s get lovey.Read more

The Physical Intimacy of Siblings by Ori Lenkinski

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When I look at my two children huddled together over a book, squished together under a blanket or climbing one over the other to reach a toy, I think of that physical intimacy. I remember the same kind of informal yet deeply familiar contact throughout my childhood with my sister.

The little one places her hand on the big one’s leg without even noticing she’s doing it. The touch is so natural to them both, it goes completely unnoted. That physical connection is one of the most comforting and delightful parts of childhood and, as such, of life.Read more

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A True Mirror: Recognizing My Hard-Fought Flaws in My Child by Ori Lenkinski

Before I had them, I imagined that I would pass on my best qualities to my kids; my love of music, my posture, my stubbornness. I didn’t stop to think about the less wonderful or problematic parts of myself that I would pass on.Read more