A ray of light passes between The two.
Presses side to side, head to head, body to body.
In the illusion of gender the struggle becomes clear, what is between her
And him? Between him and her? Between her and her?Read more
The Jewish Connection Project by Ido Batash and Lisi Estaras was presented on December 5 as part of Machol Shalem Dance House‘s Jerusalem International Dance Week. Erez Kashi is a Tel Aviv-based photographer.Read more
Maayan Liebman-Sharon and Yaara Nirel presented E-Sheket/116 Reasons as part of Machol Shalem Dance House‘s Jerusalem International Dance Week on December 4. Erez Kashi is a Tel-Aviv based photographer.Read more
Creative Writing and Yasmeen Godder Company present a 3-day writing exploration led by Ori Lenkinski.
A WRITING EXPLORATION AT THE MOVING COMMUNITIES CONFERENCE- JANUARY 17-19 AT THE MANDEL CULTURAL CENTER, JAFFA, ISRAEL.
We invite writers and artists to apply to spend 3 days thinking, observing, discussing and writing about dance.Read more
Erez Kashi captures Shamel Pitts and Mirelle Martins in Black Velvet.Read more
How simple it is to release
The foreheard the eyebrows the temples
The neck the crown
The mouth the jaws.Read more
Ravel’s triangle is uneven.
It moves from side to side
Then forwards and back, reorganizing the space.Read more
I see red, I see blue
I understand nude.
Cope and I will too.
This couple from Taiwan are incredible. A (certain) technique that is truly grand. I don’t discount it for even a second. I understand the significance of this physicality. It must be said that technique is important, there is nothing like it, it protects the dancer from countless things, moves the dancer and the observer. Technique comes into my body when I use it, sometimes it can become my language, which is not a bad thing. It is something I am aware of. But sometimes it sneaks in like heavy sleep on a long train ride. Read more
דיתי רונן על חיתוך.דיבור מאת סתיו מרין ונטע וינר מִי אוֹחֵז בְּצַוָּארוֹ שֶׁל מִי מִי חוֹנֵק אֶת מִי מִי סוֹתֵם אֶת פִּיו שֶׁל מִי מִי מְקָּרְבֵּן אֶת שֵׂה הָאִשָּׁה. סַכִּינִים נִזְרָקִים לָרִצְפָּה מִי פָּגַע בְּמִי פָּגַע בִּי בָּךְ בְּךָ קָהָל עַל שְׂפַת הַמִּזְרוֹן הַצָּהֹב מַתְחִיל קְרַב מַגָּע. הָאָקוֹרְדְּיוֹן הַהוֹדִּי נוֹהֵם אֶת עַרְפֶל הַזּוּגִיּוֹת. בּוֹא כְּמוֹRead more